The Bloody Jug band was a rip roaring good time.

The Bloody Jug Band performed at the outdoor stage at this year’s Orlando International Fringe Festival. I’ve wanted to catch a performance by them for quite some time. I usually go to the venue they will be performing at, and end up sketching an earlier act. They usually perform past my bed time. Their music draws inspiration from historic JUG bands of the 1920’s and 30’s as well as the darker side of
Blues and Rock n’ Roll, they carved out its own niche in a genre of music that has
never seen such a bloody incarnation.

Members of the band include,  Cragmire Peace on Vocals and Scratch, Stormy Jean on Vocals and Untimely Percussion, Brian Shredder on Acoustic Guitar and Mandolin, Steevil on Electric Guitar and Banjo, Bloody Rick Lane on Harmonica, Seth Funky on Washtub and Uke Bass, Big Daddy Jerm on JUG and Percussion, and Baby Dingo on Cajon and Spoons. As you can see this is a small bloody army of talent. When I sat down to sketch, Jessie Sander who is a dancer for Drip dance leaned over to say hi. Her boyfriend was center stage banging on a wooden box as percussion. One song loosely based on Johnny Cash’s Boy Named Sue had everyone up and dancing revival style. Of course Jessie and her friends couldn’t resist the urge to dance.

The sheer voracity of the music kept my lines dancing. I didn’t have to think or analyze what I did, I just let the tidal wave carry me along. I kind of wish I could listen to their music every time I sketched, to amp up my nerves to go with the flow.  If you ever see The Bloody Jug Band performing, be sure to go, you will have a great time. Someone took several photos of this sketch in progress and on Facebook, band members debated why a few performers couldn’t be seen. I know that the lead singer blocked my view of a performed in the back corner of the stage, although I put a faint squiggle down to indicate that he wore a bowler hat. The drummer is also just a loose indication behind everyone else center stage.

The free outdoor stage featured more talent than ever at this year’s Orlando Fringe.

 I believe Jessica Pauli was responsible for wrangling all the incredible acts that performed at the outdoor stage.
One day on the weekend featured Swamp Sisters La La which had all
female performers. Sunday was Southern Fried Sunday with a line up of
local acts.

The Mudflappers performed at the outdoor tent at this year’s Orlando International Fringe Festival. Their lively music hearkens back to a simpler time. I’ve seen them perform before, so I knew I was in for a fun time. Colored spotlights illuminated the performers different colors. For the final number people got up to dance frantically. I tried to throw lines and washes onto the page with the same frantic energy.

The Mudflappers music has it’s roots in Folk, Country, Swing, and Roots Music. The band members are, George Moore Jr. on Guitar and Lead Vocals,

Sarah Elizabeth Patrick on Violin and Lead Vocals,

Paul Tugwell on Tenor Banjo,

Jake Williams on Bass,

Marc Lingle on Piano, and
Mikey Bulko on Drums.

S&M as entertainment in Deviant Behaviors.

Dangerous Theatre of Denver Colorado presented Deviant Behaviors at this year’s Orlando International Fringe Festival. I went into the show with no per-conceptions. This was a one woman show in which Winnie Wenglewick explains how she discovered sadomasochism. As a small child she discovered her dads porn stash underneath a dresser drawer. The only way to get at the porn was to pull the drawer completely out. She was almost caught by her father, but she manged to fling the magazines under his bed as he walked into the bedroom. She began to cry an in his efforts to comfort her, he never stopped to ask what she was doing.

She discovered sexual pleasure at a very early age but also felt guilt. Much of the show involved explaining masochism. She felt that most peoples view of masochism is skewed the the tepid Fifty Shades of Gray book and movie. Masochism is the tendency to derive pleasure, especially sexual gratification, from one’s own pain or humiliation. She lead a rather normal life, getting married and having kids. Later in life however, a man introduced her to masochism and she was hooked. Experiencing pain in a safe environment could help her forget the many responsibilities she had. Eventually, she went on to found her own dungeon.  She will be moving back to Orlando later this summer. Orlando now has a dungeon called The Woodshed. She will be
opening another Dangerous Theatre in Orlando.

Towards the end of the show an older man with long blonde hair walked onto the stage holding leather whips. He whipped Winnie’s back, softly at first and then harder with each thrash.  She verbalized her many complaints as she was being whipped. This was certainly one of the strangest theatrical experience I’ve had. I learned quite a bit about an alternate lifestyle. If there are dungeons in Orlando, I just might get off on sketching people in pain. Perhaps this could be defined as sketch masochism.

Clink featured acrobatics behind bars at Fringe.


Circus Arts and PB and J Theater Factory of Winter Park collaborated to bring Clink to this year’s Orlando International Theater Festival. The program described the show as”a captivating look behind the bars of a most exceptional and enthralling prison.

Brandon Roberts played one of the prison guards. Any time he is in a show, I know that there will be laughs. Acrobats were prisoners. The guards tried to keep chaos to a minimum, but any time they turned their backs the prisoners would express their inner freedom by performing acrobatics. After an impressive display of strength and grace by the acrobats, a prison guard tentatively climbed on a platform to keep a look out. The platform shook every time the guard moved, and it was hilarious how he struggled to stay balanced when prisoners could do somersaults, back flips and amazing aerial feats.

In one of the shows, a male acrobat tore a muscle. The next show had to be canceled. Two stage hands had to step in and perform safer acrobatic moves to fill in for the lost performer. They did an amazing job filling in because I didn’t notice that the show had been modified. In a scene where prison guards vaulted over a wall, Brandon flailed his limbs for a laugh as he hurled through space. Perhaps some of that wide eyed fear was legitimate.

Because of the canceled show a fundraiser was set up to help the injured performer’s medical expenses. I talked to someone who was in the audience the night of the injury. She said that it was clear that he was in pain but he kept right on performing. The show must go on.  The next morning he had to have surgery to repair a torn pectoral
ligament that had pulled from his humerus bone. He is looking at a
recovery time of 4-6 months. 

Cosmolyrical grappled with life’s biggest questions in poetry.

Phil Long in association with Beth Marshal‘s husband presented Cosmolyrical at this year’s Orlando International Fringe Festival. I met Phil just before his performance outside The Venue. He is from Washougal Washington State and is an airplane pilot when he isn’t writing poetry. A niece got him started writing poetry when she asked him to write lyrics for a rap song. Being a pilot means he is well traveled and he identified with sketches I had recently posted from Sydney Australia.

Cos-mo-lyr-i-cal A deeply personal and highly engaging performance poetry composition pertaining to the branches of astronomy and philosophy dealing with the apparent origin, history, structure, dynamics, elements, laws, and characteristics, of the observable universe including space, time, causality and mind. The performance was a cabaret style autobiographical slam poetry mash up where physics meets metaphysics, ancient wisdom dabbles in modern science and religion discovers doubts. The more that science discovers, the more mysterious the world seems. As he ponders mortality, he hopes for answers in religion, but there are more questions than answers.

When his father was murdered in his youth, the poet was forced down a path that few tread. He scorned the arrogance of wealth and power, preferring to see what really matters. Did he love or was he loved as a friend?

The most fascinating premise of this poem was the idea that all of creation might just be a poem. Could fundamental particles be verbs and nouns? Could all of creation hinge on our perception of its meaning? What if it’s all poetry? Then the ancient myths might seem more real and modern science is just beginning to discover the mysterious possibilities of creation.

Sketching while listening always fractures my perceptions. At times the poet seemed to mistake poetry for religion, but I admired that his faith wasn’t blind. He sought answers and used poetry to mine for meaning in life.

Weekend Top 6 Picks for May 6th and 7th.

Saturday May 6, 2015

3pm to 8pm Free. SMASHINGTON 2015 Interactive Art And Music Festival. Orlando Fashion Square 3201 E Colonial Dr, Orlando, Florida. Soul of the City – The Culture Xchange, and The Orlando Fashion Square Mall have started an exciting new partnership! Our vision is to bring a diverse, and interactive art experience to one of Orlando’s premier retail establishments.Smashington Arts & Music Festival, is an all day celebration of progressive music, art, and culture.

This years’ festival will feature over 60 acts including: live performance art, dozens of local business vendors, and activities. Which makes this the biggest mix of Central Florida’s up and coming artistic talent.

We will be showcasing Urban and Street Art styles by incorporating: a graffiti wall, a sticker wall, and spray painting a school bus!

There will be live performances, acoustic duos, bands, improv comedy and a collection of Central Florida’s rising musical groups featured across 4 stages. With the help of an exciting lineup of Performers, Creators and Progressive brands to share the stage with, we are displaying a new look and feel on community culture events.

The goal of Smashington, is to create more consumer awareness in Orlando. By connecting local bands, artists and businesses. This allows us to network among one another, so that our growing audience is able to connect with one another.

Together we are a Cultural Marketplace.

6pm to 8pm Free. The Originals. Stardust Video and Coffee, 1842 Winter Park Road, Orlando, FL. For 15 years Stardust Video & Coffee has provided Orlando with a multitude of performances, acts, musical numbers, wacked out zaininess and, of course, art shows.

For 15 years we have hosted some of the best, oddest, coolest, weirdest, exhibits while vhs turned to dvd to blueray and then to digital.

Yep, our gallery is 15 years old which makes it the longest running gallery in Orlando. To celebrate we are bringing back many of the original artists, and some of the newer kids, to celebrate 15 years of art shows at the Dust.

Art from featured artists, Anna McCambridge, Terry Hummel, Katherine Bennett, Kim Darovec, Brigan Gresh, Andrew White, Doug Rhodehamel and many more will be on display for your viewing enjoy enjoyment!

It’s been a decade and a half and the gallery never got a name. This summer it finally will. See you there okay?

There will be cheese.

8pm to 11pm General admission to Science Night Live is $15. Members can always enjoy Science Night Live for FREE. It’s an “adult swim” of the science variety! An evening reserved only
for adults, enjoy everything you love about Orlando Science Center.

  • Enjoy a presentation all about mummies from our guest speaker
  • Sample craft beer from local and national distributors
  • Discover the science of craft beer through a series of short seminars
  • Immerse yourself in the Pink Floyd “Best of Echoes” laser light show
  • View stars and planets through the giant refractor telescope in the Crosby Observatory
  • Conduct lab experiments in Dr. Dare’s Laboratory
  • Participate in Science Trivia
  • Delight in food and adult beverages available for purchase


  • Sunday May 7, 2015

    10am to 12:30pm  $10 Crealde Sketch Class. Crealdé School of Art, 600 St Andrews Blvd, Winter Park, FL. Life drawing from the nude model.

    2pm to 4pm Free. Drawing Fundamentals class. Elite Animation Academy, 8933 Conroy Windermere Road, Orlando, FL. I will be giving a drawing fundamentals workshop to introduce people to the Elite Animation Academy. Summer workshops are filling up fast.

    9pm to 11pm Free. Comedy Open Mic. Austin’s Coffee, 929 W Fairbanks Ave, Winter Park, FL. Free comedy show! Come out & laugh, or give it a try yourself.

    Why don’t airports have recliners for everyone?

    Our final leg in Australia was a long drive from Ballerat to Sydney. The large highways offer as boring a view as any highway in America. Australians however have signs warning motorists to take breaks to stay safe. In America we just stress “click it or ticket” for our safety. We decided to stay at a Sydney Airport hotel. The hotel was right next to a junk yard. I still wish I had sketched the rusty mountains of auto parts as my final view from down under.

    Sydney has a very modern airport and Terry decided to go shopping before we boarded. That of course gave me time for one final sketch. When I sketch I become invisible and she wasn’t able to locate me in the waiting area. We fired texts back and forth to find each other as the plane boarded.  The woman seated right in front of me looked quite uncomfortable trying to take a nap. This is how I felt for the entire twenty hour flight back to Orlando. I just can’t sleep on planes, so I watched movies non-stop.

    In Australia they drive on the wrong side of the road, water swirls down a drain backwards and the sun moves backwards across the sky. They have gun control, offer a free higher education and have an amazing health care system. Melbourne is infectiously welcoming to artists. I consider it my home away from home.

    The beer tent is at the heart of the Orlando Fringe.

    The best way to discover what shows to see at the Orlando International Fringe Festival is by word of mouth at the beer tent on the green lawn of fabulousness. A beer truck was parked at the edge of the tent offering beers on tap. “Just do it” orange buckets were below each tap. To get a beer you need to first buy a ticket at another tent. Apparently there is a city ordinance that makes it illegal to pay cash for beer in a public park. The tickets circumvent that ordinance. I got a $5 ticket and tried a beer that was a bit bitter for my taste. It was cold, so I still appreciated it in the hot afternoon.

    This was the first day of Fringe and the beer wench was extremely helpful in not only slinging beers, but explaining how to Fringe to newer patrons.  She was also quick to compliment a woman on her beautiful breasts. My man boobs didn’t elicit a compliment. My second drink was a hard cider which is what I decided to drink for the rest of the Fringe. I bumped into Brandon Roberts who has to be the funniest actor in Orlando. He was in a show called Clink which featured acrobatics in a prison setting. He gave me the quick elevator pitch for the show, and I decided that I would have to go for the sketch opportunity. To promote Clink, Brandon said, “Fringing is a dirty business” as he dropped off bars of soap on my table with a Clink promotional photo on the wrapper.

    I used the beer tent for cover when a torrential rain storm hit the Fringe. Wind gusts made any attempt as staying dry fruitless. As the rain died down, a man took his folding chair and used it to push up a heavy pool of water that was caught in the sagging roof of the tent. A huge waterfall caused children to laugh with delight. A woman from the fire oven pizza booth came out with a pizza paddle to do the same to another sagging tent. The rain stopped for a bit and I got as far as the Rep before it began to pour again.

    Joanna Solomon shares how her love life and career came Hurtling Towards Earth.

    In her solo show, Hurtling Towards Earth, Joanna Solomon from Brooklyn NY, recounted her years as an aerialist in the Argentine production of De La Guardia along with her equally harrowing love stories at this year’s Orlando International Fringe Festival. Auditioning for the role was extremely stressful. She felt like every other dancer and acrobat did the required moves with ease. When she confided that she might be out of her league, another actress told her, “Just fake it like the rest of us. She was amazed and delighted when she got the call back and ultimately the roll.

    A small diary sat on a stool on stage. Periodically Joanna would refer to it to find letters that she had written her mom. Her close bond to her mom seems to have kept her sane during the long time she was away.  Joanna also had a boyfriend back home yet none of the letters she read were to him. Once she read a letter, she would clamp it on to a clothes line hanging in the corner of the stage.

    She confided that she isn’t the type of person to have an affair but an Argentinian man worked closely with her in the show. While she was suspended from a rope, he would swing her into a canvas wall, softly at first and then harder while making guttural noises. They resisted the urge for the longest time but then had an intense passionate affair. The Argentinians girlfriend of her Argentinian lover came to a wrap party. Joanne had a little too much to drink and when she went into the women’s room, her lover followed her and pleaded his love for her. His girlfriend found them together and she began beating on Joanne who felt she deserved every blow.

    Her boyfriend back home hacked into her Facebook account and he found plenty of evidence of her affair. She later found out that he had also had an affair while she was gone but it didn’t help in healing the lost trust. She never said if she tried to get back together with either boyfriend, but I suspect they all probably went their separate ways. At the end of the show Joanne showed a movie clip of one of her aerialist performances. With so many unanswered questions I didn’t fell like the show was over.

    Tails to Tall for Trailers presented small town humor at the Fringe.

    ManDamsel and FellaLady from Covington, Kentucky presented Tales Too Tall for Trailers. Comedian and Storyteller Paul Strickland and Erika Kate MacDonald joined forces in this off-kilter musical family
    comedy! Funny songs, strange southern stories, shadow puppetry, a pet
    named “Peeve” and more! Pee-Wee Herman meets Mark Twain in this final
    installment of Strickland’s “Trailer Park Trilogy.”

    The show began with Paul on guitar and Erika joined in with hysterical lyrics. My favorite part of the show however was when they set up a simple shadow puppet stage with a bed sheet and clothes line. Erica sat down behind the sheet with a bright light just behind her shoulder. Paul acted as the narrator in front of the screen. The tale was set in a tiny town with a tiny post office. To create the post office Erika took an envelope and opened it up to create the roof. She cut a rectangle out of the bottom and that became the doorway. To create a home, the rectangle wan moved up to the roof where it became a chimney.

    I now wish I had sketched this magical shadow puppetry segment of the show. What I enjoyed the most was watching Erika’s reactions to the audience. She had a sort of childish joy that most adults loose over time.  I took the most delight in watching her face light up. She used the screen with cinematic grace. Often she would zoom in on a character by moving it closer to the light, the result being scenes that constantly moved and breathed with life. The show was a fun hour filled with music and laughs.