FRINGE: Dead Pets

The Orlando International Fringe Festival show, To All Our Dead Pets was a heart tugging open therapy session at the Rainbow Bridge Support Group for 11 strangers who were grieving for the loss of a pet. The loss of a pet tends to be even more devastating than the loss of a friend or relative.

In the lobby, each audience member was given a name tag and we were asked to write the name of a pet we had lost. I wrote Timmy. Timmy was the beagle our family had as I was growing up. After my mother died, we had to take Timmy to the vet. I sat in the back seat with him. He had developed worms, and the worms literally were wiggling out of his belly and fur and dropping onto the seat as we drove to the vet. It is a vivid terrifying childhood memory of mortality that is hard to wipe away. Timmy was put down at the vet.

As the theater filled the pianist swayed to the beat of the house music. I am a fan of anyone who have to move enthusiastically when the music plays. As the accompanist she did an amazing job holding this musical together.

The folding chairs were arranged in a circle as the audience filled the theater, but once the play started, the actors set themselves up in a line. Each actor had am monologue and a solo performance.

The woman seated in the center acted as the moderator at first but others stated a mutiny, questioning why she was putting a positive feel good spin one peoples grief.

One girl only had her pet for a day but her grief was as intense and everyone else’s. One woman became so overwhelmed that she stormed out of the back door of the theater. One macho actor tried to make a jokes at the expense of others. There was an author, a matronly grandmother, and a woman who felt she was above it all until she to broke down. The lyrics didn’t grip me but the feelings expressed held me firmly to my seat.

FRINGE: The Lobby

Between shows at the Fringe, patrons search their digital devices to find what shows they would like to go to next. Fringe has a well designed flipbook PDF that I use to search for show information.

I am however a rather analog artist, so at home I write the shows I plan to see on a slip of paper and I carry all that information in my art bag. I circle the next show with a pencil and head over to the next theater. In the Fringe Club room the Fringe dinosaur mascot head was on on top pf a storage case. The mascot is often found at kids Fringe.

The purple tables in the middle of this sketch are set up to be the indoor bar for Fringe Patrons. It had not been sett up completely yet when I did this sketch. Someone was searching around for an outlet and could not find one. A long extension chord would be needed.

While doing this sketch I got to catch up with several Fringe regulars. One was selling $5 raffle tickets for the Florida Council of the Blind. First Prize was $1000. Second prize was $100. I passes on the raffle ticket at first but then decided I needed to get some caffeine in my system to get my hand twitching. There is a soda machine at the Shakes and I went to give it a try. I left my artist chair behind and one of my friends joked that they planed to sell it while I was gone.

The soda machine would not take my $5 bill. It kept spitting it back out with a mechanical whine. When I got back to my seat, the woman who was selling the raffle tickets told me she had change for a 5. I decided that I should buy one of her raffle tickets for the kindness of giving me change. The machine took her dollar bill and spit out my much needed liquid death. It was an expensive drink but much needed. When doing all these sketches I would start in the morning and end late a t night. I never took time to get out and order food or drink. Was the can of soda worth the $6? Absolutely. I sucked it down in several gulps and started to feel like a humming bird.

The drawing for the $1000 prize was on May 17, 2025. I didn’t win. I never do.

FRINGE: Down the Rabbit Hole

Down the Rabbit Hole produced by Empty Pocket of Portland, Maine was an adorable dance rendition of the classic Alice in Wonderland tales.

As the audience entered the theater, props were lying about on the stage for each of the characters. There was a top hat and scarf for instance for the mad hatter. The rabbit had ears that could rise upward with the pill of a string.

Alice of course dominated the dancing in many of the scenes and I was intrigued by the smooth movements of the field mouse who clearly had classical ballet training. Any time the field mouse scurried on the stage I had to watch and struggle to get a sketch.

The white rabbit was the other character that accompanied Alice dancing through all the scenes. He added a definite touch of humor to the proceedings. The Queen of Hearts did make an appearance but she wasn’t particularly menacing.

I wasn’t trying too follow any story line since there was no dialogue. I just enjoyed the playful dance routines. Overall it was a fun 45 minutes of dance.

FRINGE: Paco Erhard, Live Forever

Paco Erhard: Live Forever was in the Silver venue at the Orlando International Fringe Festival. The show was presented by German Comedy International from New York City presented the show.

Paco’s show was part stand up and part heart wrenching drama. Paco’s Russian accent added to the international flair.  Hard times were mixed with plenty of laughter.

Paco wanted to live the care free life of a beat generation writer like Jack Kerouac. Since Jack Kerouac wrote several books in Orlando My ears perked up. The Karouac Project in Orlando offers residencies for writers and I have had the honer of sketching many of these creatives as they write in the old College Park bungalow that Jack used to live in with his mom.

Paco’s description of taking LSD was intriguing since it is an experience I have never had.

I sat at the back of the theater since I had to sneak out early to teach a virtual class from my car in the theater parking lot. This was my first time using a phone hot spot to teach a class and thankfully it worked.

I can’t give a full review since I had to sneak out, but I was certainly laughing and had a great time at this one man show.

FRINGE: An American Not In Paris

Liv Rocklin Productions from New York City presented An American (NOT) in Paris. The show features 7 songs, 6 languages and 5 diagnosed conditions in a one woman show exploring OCD, loss of youth and an appreciation of the art of “C’est La Vie”.

Liv went to Paris as a student but the experience was interrupted by the pandemic which forced her to return to America. She had just met a Parisian man with American ties.  He promised not to kill her as he showed her a meat locker. Is there a better way to discover romance? She left that all behind.

The show explored uncertainties during those times and a brief return to Paris where she refused to explore the city as a tourist since she felt she was a native, even if short lived.

There was plenty of endearing humor in the show. At one point the guitar fell to the floor which seemed to punctuate her humorous point she was discussing to perfection. At one point the entire audience was singing along to the refrain of her song about “C’est La Vie”.

This is the type of show that is perfect for Fringe. I loved every moment. The show was light hearted and entertaining.

FRINGE: Your Camp, Mein Kemp: The Musical Political Satire

Your Camp, Mein Kemp, The Musical Political Satire is a Rrump era musical. The youth of America are indoctrinated into detention camps that promote Friendships, sing alongs, crafts, and dystopian MAGA re-education.

Vulva Va-Voom and Shane Mayforth who created the show, played the camp counselors. Vulvain her green tee shirt, was a former lesbian and she had to educate the children on straight binary male female roles. Her and another counselor could not change the camp system themselves but she felt they were doing good as long as they reported about that was happening in the camps to the outside world.

A large poster showed the moment the play acting began with Rump pretending to be shot in the ear my an assassin’s bullet. The theatrics needed were garnered from WWE wresting. Secret service acted as side players who gave the candidate a moment to raise a fist rather than keep him safe.

Polio has made a comeback among children thanks to the anti science rhetoric.  A small puppet played the part of a child camper who ends up in a polio pressure chamber to try and save his life. In a dance number two dancers were behind one another and they bent their arms at the elbows to create a swastika. A camp sign to the Eagles nest refereed to Hitlers Swiss mountain top retreat.

The original lyrics sometimes built around existing show tunes were a strong way to showcase the hypocrisy and chaos of modern MAGA times. No one was safe unless they towed the line and parroted the party lines.  The fact that dark political fascist intentions have crept into a Fringe musical are a clear sign that all Americans need to wake up to the horrors that are soon to follow.

FRINGE: American History vs. American Idol

American History vs. American Idol presented by Team Ron Ros from Orlando Florida, was a musical romp through history. The serious professor was interrupted by students who felt they were auditioning for American Idol.

The student singers started the show wearing powdered wigs but those wigs soon came off to be rested on the mannequin heads at the back of the stage.

In some ways the show reminded me of Rocky Horror Picture Show with the serious professor who was interrupted by others who were singing and dancing on the edge.

For the Boston Tea Party number there was a board with holes for 3 heads cut into it. Actors stuck their heads through the holes and their hands fit into the legs and shoes so they could conduct a rather odd dance number. This is sort of similar to Chaplins potato dance number.

FRINGE: Done to Death By Jove

Done to Death by Jove presented by Nicholas and Collett Productions from Hastings England, at the Orlando International Fringe Festival, is a Sherlock Holmes and Agatha Christie mash up featuring a cast of 6. However, 4 of the cast along with sets are stuck in traffic on I-4.

The two English actors who were left did there best to play all the parts. When Watson had to change into the part of a woman be speared thick lipstick around his mouth because he could not see back stage.

A laptop computer gave all the sound cues for the show but neither actor was familiar with how the program worked, so sound cues fell off the tracks. Quick costume changes, of which there were many, were done behind a thin metal costume rack. The audience could see the costume changes a happening but the actors requested that no one look.

When there were supposed to be more than 2 actors in a scene they used hats to stand in for the missing actors. The show was fast paced and hilarious. I loved every minute as I laughed my head off.

Tickets are $15. The final show is tonight, Sunday May 25 at 7:40pm. It really is a fun romp.

FRINGE: Improv Erotica

Molly M. Brinkman from Vancouver, British Columbia presented Improv Erotica in the silver venue. Some erotic romance novels were scattered on the stage. She had a comfy 1960s era lounge chair but she only sat down for a brief moment.

Before the show audience prompts had been collected which would inspire her erotic fantasies. Unfortunately her production manager had not arrived from Vancouver yet and Molly didn’t use many of the prompts.

Molly had an amazing ability to build an erotic story in just moments. The star crossed lovers would be drawn to one another unable to resist a magnetic force that pulled them together. Each story had a conflict or misunderstanding then a glorious climax.

To build another story, romance novel covers were projected on the theater screen in quick succession and the audience was asked to shout out when they wanted to stop on a title. I love listening to stories about visceral animal heat, and Molly had a real talent for quickly tying together passionate tales. In other FRINGE shows she empowered women with Woman’s Guide to Peeing, My Body of Work, and Pack Animals. If you are looking for some hot literary entertainment, then Molly Brinkman’s Improv Erotica could fire up the loins.

FRINGE: En Mi

Choreographer Ana Antonietaa Cuellar Ivanova created this show after the worst of the pandemic. Social isolation had resulted in less creativity. As she developed the show she realized that creativity and all that she is as an artist has always been there in me (EnMi).

She explained, “We are like a painter with a brush, you hold the power to design your life, painting anew on a blank canvas each day.” As I was doing this sketch in the dark theater, one of the dance sequences had an audio track of the sound of a pencil or pen moving on a sketch page. It was as if the theater was filled with the sounds I made as I created the sketch. It was soothing and reassuring.

There were 8 dance sequences built around a poem. Each dance had a video opener with flowing liquid patters and a bold fluid drawing that represented the them of the dance.

Since I am learning Spanish, I will share the poem the show is built around as it was written…

EnMI

En mi esta la creatión, la

inspiración,

la fuerza,

Y el poder.

En mi esta la paz, la fé,

la salud,

Y el amor.

En mi esta mis sueños, el

cambio,

la sabiduria,

Y la esperanza.

En mi esta la libertad, la

seguridid,

la verdad,

Y ;a confianza.

En mi esta la tranquilidad, mi

felicidad

mi creatividad,

Y mi valor.

Y aunque des prisa siempre estén

mis sueños,

en el pasado,

o en mi presente.

en mi… han estado siempre,

Por que soy you quien manifiesto

mis sueños,

mi mundo,

mi presente y mi futuro.

Porque yo soy yo y todo esta en

mi.

Tickets to En Mi are $15 with a Fringe button. Remaining show time for En Mi is… Sunday May 25 at 7:35pm