Still Life Demo

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I did a quick still life demo with one of my virtual Elite Students. The goal was to gather a few items from the room and organize them into some sort of still life tableau. I am teaching seven day a week this summer so my work is bouncing all over the place depending on the student’s needs.

This is a painting of a bottle of port, a bit of garlic and a coffee pot that I have never seen used. I figured the Eiffel Tower might add an international flair. The goal wasn’t to create a finished painting but to demonstrate how to block in the large masses of a painting.

The COVID series is still happening but at a much slower pace. I have to steal an hour here and there just to research and keep up with the state of the pandemic. The highly transmissible BA5 variant is spreading like wildfire infecting those who were infected before and those who are vaccinated. The country is “done” with the pandemic which allows for plenty of spread for the virus.

Maintaining six feet of distance used to be the golden rule but now you can get infected just by walking past someone both inside and outside. BA 5 is the second most infectious disease known to man. My standard since the start of the pandemic has been to maintain 4 head to toe bodies lengths between myself and the next person. That is about 22 feet. That standard is impossible to maintain with people stopping to look over my shoulder as I sketch, so I am always wearing a cloth mask outside and a KN95 held in place by my cloth mask inside. I am always the only one masked and that is just fine.

On Your Feet

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Pam, her niece and I went to a final dress rehearsal for On Your Feet at the Garden Theater in Winter Garden, Florida. This exuberant show is about Gloria Estefan‘s rise to stardom from her humble beginnings in Cuba.When Gloria met Emilio Estefan her life changed forever. He saw her raw talent and his tireless salesmanship built the Miami Sound Machine group into an international sensation. Gloria had other career goals, but her Mima and Emilio convinced her that she was born to be a singer. He Mima said it best, “This is what you’re meant to do. You just don’t know it yet. Why write all these beautiful songs if no one gets a chance to hear them?”

I had no expectations going in to the show and I was blown away. There were some stellar singing voices in the cast and by the end the cast literally had the audience of volunteers who attended, dancing in the aisles.

I didn’t know much about Gloria Estefan’s life prior to the show, but the basic theme of her life and career is that you can always choose to rise up despite what others might tell you. Never accept the limitations other impose in “your best interest.” A career as a creative involves endless faith that someday people will recognize the value in what is created.

I welled up at several points in the show as Gloria sang about the loving support of her Mema, and when fans wrote in loving support of Gloria though troubled times. These moods could quickly swing to joyful song and dance that had me dancing in my seat as I sketched.

All theater staff were masked but very few in the audience were masked. I am fascinated with peoples half hearted masking attempts. The guy in front of me had his mask off as he spoke to others in the audience and then he put his mask back on to watch the show. Needless to say, Pam, her niece and I had our KN-95 masks on for the whole show.

On Your Feet runs through July 31, 2022. Tickets range from $17 to $32. The program is online should you like to learn more about the cast and crew. Trust me, this is an amazing night of theater. The July 20 and 21, 2022 performances are canceled due to a positive CIVID-19 test among the cast or crew.

Crealde Thumbnails

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After several classes on perspective and composition, my Sunday morning Crealde School of Art Urban Sketching students are tasked each class in creating a page of thumbnail sketches that offer a visual tour of the campus. I often do a brief set of my own as I wander the campus and offer notes for each student. In this case I just worked in back and white to demonstrate how to cut up the image into a set of large simple dark and light shapes. In one sketch I was demonstrating that the sidewalk and grass can be very much the same light value since they are both illuminated by very bright sunlight.

The challenge of the exercise is to try and make it look like you are walking along the paths and the same objects might appear small and then larger as you approach them. Students also find that the much smaller sketches can be completed faster since large washes of watercolor are not needed to cover the sketch. Much smaller puddles of wash are easy to add with the pointy tipped water brushes many students have in their kit.

The other basic lesson is that a light object will show up best if there is something dark behind it and a dark object will appear best if there is something light behind it. These thumbnails basically use just 3 values, black, white and grey. That is all that is needed to get a sketch to jump off the page.

Crealde Urban Sketching First Class

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At Crealde School of Art we started a new series of Urban Sketching Classes on Sunday mornings. I have kept the first two classes outside. Surprisingly the class is full with nine students. My first lessons are about using perspective when drawing on location.

The first assignment is for the students to draw a tent out behind Crealde. Everyone stayed under the back awning crowded together, so I decided to sit under the tent to give them one person for them to include in their sketch.

I shared each stage of this sketch as it was completed and also gave each student sketch notes to help them with their sketch in progress.

One other student wore a mask and I wore mine outside since I would get close to student to offer notes and suggestions. My mantra throughout was for students to make a mess. I certainly made a mess of this sketch which was done in an ancient sketchbook filled with tissue paper. Since my attention was focused on the student, I didn’t take any time to focus on details.

50 Oldest Churches of NYC: Grace Church

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Grace Church was initially organized in 1808 at Broadway and Rector Street, on the current site of the Empire State Building. Under rector Thomas House Taylor, who began service at the church in 1834, the decision was made to move the church uptown with the city’s expanding population.

The church is located at 800–804 Broadway, at the corner of East 10th Street, where Broadway bends to the south-southeast. The church, which has been called “one of the city’s greatest treasures”, is a French Gothic Revival masterpiece designed by James Renwick, Jr., his first major commission.

The cornerstone for the new church was laid in 1843 and the church was consecrated in 1846. Grace Church was designed in the French Gothic Revival style out of Sing Sing marble, and vestry minutes from January of that year break down some of the expenses for building a new church—including items ranging from the cost of the workers from Sing Sing state prison who cut the stone to the cost of the embroidery for the altar cloth.

The church originally had a wooden spire, but under the leadership of the rector at the time, Henry Codman Potter, it was replaced in 1881 with a marble spire designed by Renwick. The interior of the church is primarily constructed from lath and plaster. The marble steeple had its lean fixed in 2003.

Like Trinity and the First Presbyterian Church, Grace Church spun off new congregations by building chapels elsewhere in the city. Its first chapel was on Madison Avenue at East 28th Street, built in 1850. The congregation became the Church of the Incarnation in 1852 and built its own sanctuary, and the chapel, which is no longer extant, was renamed the Church of the Atonement.

Grace Church is a National Historic Landmark designated for its architectural significance and place within the history of New York City, and the entire complex is a New York City landmark, designated in 1966 (church and rectory) and 1977 (church houses).

Smokey Jay’s BBQ

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I have an advanced Urban Sketching student I am working with and we meet each week at Lake Eola. Last week we sketched the farmers market where everyone sits under the huge live oak tree.

We discovered that the Lake Eola Farmer’s Market closes down about 2:30pm and we were still in the midst of the sketch as tents were taken down and vendors packed up.

Despite this, we decided to once again sketch the street vendors dishing out plenty of BBQ to the mask less crowds.

While we were sketching this week it started to rain just as I was starting to put watercolor washes over the sketch. Last week it also threatened to sketch and we bolted with the crowds as soon as the winds picked up.

This week, we held our ground. I packed away my sketch in my art bag and decided to wait until the rain stopped. The weather radar on my phone made it seem like the storm would be very short lived. As the rain became torrential, people crowded under window and porch awnings. The pine trees we were under were actually pretty good cover so we moved closer to the trunk and waited. The rain eventually did let up a bit and I painted a huge puddle of blue in the foreground before the rain became worse and forced me to once again close the sketch book.

Since we were already soaked through to the bone, it made no sense to seek cover. It was actually quite refreshing getting soaked. As we continued to debate if it might be possible to complete the sketch, the vendors started packing up. Where we were seated was where the vendors would stack up their dismantled tents so that settled it, we would have to move on. The assignment then became to complete the sketch and make it seem like a torrential summer shower had not thrown a wrench into the creative process. If this sketch looks like a royal mess, that is because it is a royal mess.

Alien Things

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North Korea claims that “Alien Things” are to blame for it’s COVID-19 “Fever” Outbreak. South Korean activist for years have flown balloons across the border which distributed pamphlets that were critical of Kim Jong Un. The dictator is furious that this activity was never stopped. Since the outbreak of COVID-19 in North Korea, the activists have been airlifting masks and pain killers to its suffering northern neighbor.

Kim Jong Un claims that people who touched one of these balloon care packages became infected by COVID-19 and spread it to the rest of the nation. The CDC has pointed out that COVID-19 is spread through aerosolized particles. Though infection through touch is possible is is far less likely. At the start of the pandemic I was using antiseptic wipes to disinfect all incoming groceries but that practicewas pushed to the wayside due to the more recent findings. A mask is far more important that wiping down groceries.

A far more likely reason for the vast spread of the virus in North Kora would be the Military parade superspreader event held by Kim Jung Un for promote his missile program. North Korea has reported some 4.7 million cases of “The Fever” among it’s population of 26 Million. Since the dictator wants to save face, that number is obviously under reported.

North Korea is a nation that is completely vaccinated and therefor very susceptible to the worst possible outcome from the fast spread of the virus. President Joe Biden and Covax have offered to airlift in vaccines by Kim Jung Un claimed that the North Korean Epidemic Prevention Center had everything under control. The health Ministry is clueless and has done nothing to protect citizens. News of the horrific outcomes has been downplayed by the Communist regime. We may never know just how many people suffered needlessly and died.

North Korea’s Epidemic Prevention Center claimed that an 18 year old soldier and a kindergartner came into contact with “Alien Things” in the town Ipoh near the southern border. They later tested positive for the Omicron variant of COVID-19. The nation has stressed that anyone who finds “Alien Things” must notify authorities immediately so that the objects can be safely removed.

By laying blame of “Alien things” flown across the border, the agency hopes to ease public complaints about the absolute failing of the nation to handle the health crisis while also echoing past complaints about the balloon aid program. When West Berlin was cut off by Communists Russia after WWII, a comprehensive airlift program was initiated to help the citizens of that city.  South Korea in a much smaller way was trying to offer assistance to it’s besieged neighbor.

50 Oldest Churches of NYC: Community Synagogue

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Although German Protestants were a minority in contrast to their Catholic co-ethnics, German Lutheranism had earlier roots in New York, dating back to the colonial era. Saint Mark’s Evangelical Lutheran Church was built in 1857 in a Greek Revival style. It exists today as the Sixth Street Community Synagogue/Max D. Raiskin Center after thirteen Jewish women purchased the building in 1940.

This former Lutheran Church is part of one of the most tragic events in New York history. On June 15, 1904, the St. Mark’s congregation sponsored a boat excursion on the General Slocum steamer which caught fire on the East River. With over 1,300 victims, this maritime catastrophe remained the deadliest single-day event in New York City’s history until September 11th, 2001. In 1906, on the northern side of Tompkins Square Park, a memorial fountain was dedicated to the victims of this catastrophe.

The General Slocum was a side wheel passenger steamboat built in Brooklyn, New York, in 1891. This was the worst maritime disaster in the city’s history, and the second worst maritime disaster on United States waterways. The events surrounding the General Slocum fire have been explored in a number of books, plays, and movies.

The building stood empty for years until it was brought back to life by a group of Jewish visionaries in November, 1940. The Community Synagogue has been a hub for intellectual, religious and social activity. The synagogue originally served a bustling, immigrant population within New York’s Yiddish theater district.

 

Rebound

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Dr. Anthony Fauci, the U.S. government’s top infectious disease expert, caught COVID-19 and experienced a recurrence of symptoms after taking the Pfizer’s oral antiviral medication Paxlovid as a treatment for COVID-19.

Fauci reported that he had initially experienced only mild symptoms upon becoming infected with COVID-19 in mid-June 2022. “When [the symptoms] increased, given my age, I went on Paxlovid for five days and I felt really quite well, really just a bit of (runny nose) and fatigue,” said Fauci, 81.

After finishing his course of Paxlovid, Fauci claimed he tested negative for COVID-19 on antigen tests for three days in a row. But on the fourth day, he again tested positive. He also began to experience worsening symptoms. “It was sort of what people are referring to as a ‘Paxlovid rebound,’” Fauci said. Fauci is currently on another course of Paxlovid, he confirmed.

The phenomenon, known as COVID-19 rebound, has been acknowledged by the Centers for Disease Control and Prevention. In May, the CDC issued an advisory on the potential recurrence of symptoms and possibly a “new positive viral test after having tested negative” within two to eight days of finishing a five-day course of Paxlovid.

Rebound

OMA Director Fired after FBI Raid

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Orlando Museum of Art (OMA) director Aaron De Groft was apparently missing in action as FBI agents raided his museum. He has been on the lamb ever since. In a bold move of incompetence or malicious greed, he mounded an exhibit of 25 works that were claimed to be by Jean-Michel Basquiat. The authenticity of that work quickly came into question.

The New York Times reported on the shady provenance of the works with one painting done on Fed Ex cardboard with the company logo being done in a typeface created nine years after the artist’s death.

De Groft did nothing but defend the work citing the flimsy excuse of a poem as proof of authenticity. The misguided OMA board also defended the work noting OMA gift store sales had gone up.

In an email, De Groft threatened an academic (subsequently identified as University of Maryland art historian Jordana Moore Saggese) who was seeking to distance herself from a report she was commissioned to write assessing the authenticity of the works in Heroes & Monsters: Jean-Michel Basquiat, The Thaddeus Mumford, Jr. Venice Collection. Saggese, who was reportedly paid $60,000 for her report, requested that her name not be tied to the exhibition, De Groft wrote, “You want us to put out there you got $60 grand to write this? Ok then. Shut up. You took the money. Stop being holier than thou.” He added, “Do your academic thing and stay in your limited lane.”

The clueless board in an effort to protect their own asses fired De Groft on 28 June 2022. No one seems to be able to admit they dropped the ball and failed with this misguided show. The work had never been clearly authenticated. The board’s  clear incompetence and complicity in what could be a criminal attempt to raise the value of fake art works means that if they have any morals, they will resign from the board. Orlando is now the laughing stock 0f the art world, internationally. More heads need to roll if this crippled institution is ever to recover. In a press release the board said that the museum is not under investigation, but the FBI is still investigating. The museum very well might face criminal liability.

On 24 June 2022, the FBI swooped in before the work could be shipped over seas. As the FBI investigation plays out we will get to see just how clueless or greedy OMA’s board and director were. Besides seizing the cardboard scribbles, they also seized “any and all” communications between the museum’s employees and the owners of the artworks “purported to be by artist Jean-Michel Basquiat,” including correspondence with experts regarding the artwork.

Did the Orlando Museum of Art commit fraud in an attempt to raise the value of forgeries? The work was slated to go on exhibit in Italy next. A week ago one of the owners of the work walked into the museum lobby hoping to walk away with five of the works on cardboard. You would have to think he hoped to sell the fakes for millions before the gauntlet fell.

The OMA Board:

Chair of the Board
Cynthia Brumback

Officers
Ted R. Brown
Carolyn Fennell
Patrick J. Knipe
Francine Newberg
Sibille Hart Pritchard
Winifred Sharp
Andrew Snyder
Robert Summers
Lance Walker Jr.
Michael Winn
Nancy Wolf

Trustees
Leslie Andreae (Ex Officio)
Shari Bartz
Dustin Becker
Caroline Blydenburgh
Jeffrey Blydenburgh (Ex Officio)
Kathy Cardwell
Allison Choate
Earl Crittenden Jr.
William Deuchler
Mark Elliott (Ex Officio)
Elizabeth Francetic (Ex Officio)
Chase Heavener
Joan Kennedy (Ex Officio)
Amelia McLeod
John Martinez
Zakir Odhwani
Jennifer O’Mara
Paul Perkins Jr.
Valeria Robinson-Baker
Daisy Staniszkis