Crealde Ventilation

Posted on by Thor

At my Crealde Urban Sketching class, I had the students sketch the darkened studio next to our classroom.

Black garbage bags and clear plastic were taped together to cover an open doorway to the studio, creating what looked to me like a scene from a horror movie. A small portable AC unit was set up to cool the room.

Part of the reason I had students work in the darkened room was that many student water colors never get dark enough. When water color dries the wash gets a bit lighter. With experience you adjust for this and paint a bit darker.

If you have a pure black on the page next to the pure white of the paper, that become an eye magnet. It is hard not to look at the high contrast. My goal is to get my students to create a full range of values from pure white to pitch black.

I have no idea what this doorway repair work was all about, but it offered a great way to show students how to look for a definite and clear light source in a scene. I usually make a concerted effort to be sure a person is in each sketch, but in this case it was liberating to just set the scene.

Breakthrough Deaths Rise

Posted on by Thor

ABC News analysis of federal data shows that breakthrough cases comprise an increasing proportion of those who die of COVID-19. In August of 2021, about 18.9% of COVID-19 deaths occurred among the vaccinated. Six months later, in February 2022, that proportional percent of deaths had increased to more than 40%.

In September 2021, just 1.1% of COVID-19 deaths occurred among Americans who had been fully vaccinated and boosted with their first dose. By February 2022, that percentage had increased to about 25%. Experts said the increase in breakthrough deaths is expected as more Americans reach full vaccination status.

“These data should not be interpreted as vaccines not working. In fact, these real-world analyses continue to reaffirm the incredible protection these vaccines afford especially when up to date with boosters,” said Dr. John Brownstein, an epidemiologist at Boston Children’s Hospital and an ABC News contributor. Many vulnerable Americans are more than one year out from their primary vaccinations and have yet to receive booster doses. About 91.5 million eligible Americans, about half of those currently eligible, have yet to receive their first booster shot.

The increase in breakthrough deaths comes as a growing proportion of older Americans enter the hospital for COVID-19 related care. Throughout the omicron surge, the average age of those in the hospital with COVID-19 has steadily gotten older again. In recent months, during the omicron surge, 73% of deaths have been among those 65 and older. Vaccines and boosters continue to provide significant protection against severe disease. However, waning immunity re-emphasizes the urgency of boosting older Americans and high-risk Americans with additional doses. The best way to protect the older population is to make sure everyone around them is fully immunized.

Only about 10 million people have received a second booster, which is authorized for people 50 and older. With waning immunity and a coronavirus that seems to become more infectious with each new variant, it’s a good time to get a second booster.

Lake Eola: Falun Dafa

Posted on by Thor

I have started working with a new student on location and it is an opportunity to get out of the studio and explore the world with my sketchbook again. We met near the red pagoda at Lake Eola.

I decided to keep masked even though we were outside. My reasoning is that I have no idea when a person might get curious about my sketch and stand close behind me, breaking down my neck. Pam always jokes about some woman resting her huge boobs on my shoulder as she watched me sketch one time. I discovered there is an added benefit to wearing the mask in that people tend to stay clear, perhaps thinking I might be infected.

For the two hour duration of this sketch, I only saw one other person wearing a mask. Lake Eola was packed since the farmers market was in full swing. It would seem Orlando is done with COVID-19 although the virus is not done with Orlando.

There were 59,430 new coronavirus cases recorded over the last two weeks among Florida residents, bringing the cumulative total close to 6 million. With 230 more fatalities on record, 74,060 Florida residents have died so far.  Deaths have been dropping with the new BA.2 variant of COVID but there are reports that long COVID is more common with the new variant. Positivity increased over the past two weeks from 6.1% to 9%. On the risk assessment map of the United States Florida ticked up from yellow to orange today. The state reports only show Florida resident cases and exclude non-residents cases, which are no longer available. The state works hard to promote ignorance. Local NPR reporter Nichole Darden Creston tested positive for COVID-19 this week. The last time I saw her, she handed me a travel pack of free tissues to promote WMFE.

Falun Dafa is an ancient, high-level Chinese cultivation practice which uses gentle movements and meditation to cultivate the body, mind, and spirit. None of the practitioners were masked. It consists of five simple exercises that can be performed by anyone, regardless of age, physical condition, infection status or prior experience. The practice is meant to relieve stress and create harmony, as it cleanses the mind and body, and focuses on increasing wisdom, morality, and promoting spiritual growth. Falun Dafa is guided by the characteristic of the universe: Truthfulness–Benevolence–Forbearance. The practice began in China which is now allowing citizens to stave to death in it’s zero COVID policy lock downs.

As people went through the movements, a sales person handed out pamphlets and offered free COVID shaped plastic flower sculptures. I was offered a flower but don’t really need one right now.

50 Oldest Churches of NYC: Saint George’s Episcopal Church

Posted on by Thor

St. George’s Episcopal Church is a historic church located at 209 East 16th Street at Rutherford Place, on Stuyvesant Square in Manhattan, New York City. It is considered “one of the first and most significant examples of Early Romanesque Revival church architecture in America”, the church exterior was designed by Charles Otto Blesch and the interior by Leopold Eidlitz. It is one of the two sanctuaries of the Calvary-St. George’s Parish.

The original St. George’s was a chapel built in 1752 by Trinity Church on Chapel Street (now Beekman Street) in Lower Manhattan.

In 1811 the congregation became independent, and in 1846–1856 they built this new church uptown, in fashionable Stuyvesant Square. One New Yorker described the location in his diary in 1848 “a howling wilderness.” The spires on each tower of the church were completed almost a decade after the remainder of the building. These masterful, lacy stone spires were deemed unsafe in 1888 and taken down in 1889.

The church was gutted by fire in 1865, everything in the in the interior was lost. The church was rebuilt within the next two years under the supervision of Leopold Eidlitz.

By 1880, the Episcopal church sat in the middle of a neighborhood filled with immigrants, who were largely Catholic and Jewish. The church decided to to downplay doctrinal matters, abolish pew rentals, and offer secular social services programs aimed at helping the poor, including an industrial school, sewing classes, soup kitchens, health programs, boys’ and girls’ clubs, and other educational and recreational initiatives.

In 1976, the parish merged with two others, Calvary Church, which was founded in 1832 and moved to the Gramercy Park area in 1842, and the Church of the Holy Communion, built on Sixth Avenue in 1844—to form the Calvary-St George’s Parish. Calvary Church is still operating, but the Church of the Holy Communion was deconsecrated and sold to pay down the debts of the new combined parish. It was adapted as the Limelight disco. It then operated as a marketplace and from 2017 as a gym.

Saint George’s was among the first of the new Landmarks Preservations Commissions designations, in 1967. The facade received a well-deserved restoration in 1980.

50 Oldest Church of NYC: John Street United Methodist Church

Posted on by Thor

The John Street United Methodist Church, also known as Old John Street Methodist Episcopal Church, is located at 44 John Street between Nassau and William Streets in the Financial District of Manhattan, New York City. It was built in 1841 in the Georgian style, with the design attributed to William Hurry and or Philip Embury.

The story of the John Street Church actually begins in Ireland, where Philip Embury, his wife, Barbara Ruckle Heck (Embury’s cousin), and her husband were converted to Methodism. Philip Embury became one of Wesley’s local preachers. In 1760, a number of Irish Methodists, including the Emburys and the Hecks, immigrated to New York City.

The congregation is the oldest Methodist congregation in North America, founded on October 12, 1766 as the Wesleyan Society in America. The Society built its first church, a blue stucco barn called the Wesley Chapel, on this site in 1768; its design was attributed to Barbara Heck.

The second church on this site was built in 1817-18, and the extravagance of the building provoked a secession from the congregation by Rev. William Stillwell. The third church, the current one, was necessitated by the widening of John Street.

The church was designated a New York City Landmark in 1965 and added to the National Register of Historic Places in 1973.

 

50 Oldest Churches of NYC: Church of the Tranfiguration

Posted on by Thor

The Church of the Transfiguration is a Roman Catholic parish located at 25 Mott Street on the northwest corner of Mosco Street in the Chinatown neighborhood of Manhattan, New York City.

The neighborhood around Mott Street in 1800 was had little to offer. The 48-acre Collect Pond, once a bucolic picnic spot was a dumping ground for the waste from nearby tanneries, breweries and slaughterhouses; creating in effect an open, rancid sewer. Despite this, a group of English Lutherans opted to build their new church in 1801 at a cost of $15.000 in the Georgian style of architecture for the “English Lutheran Church Zion.“.

On March 22, 1810, the Church was consecrated according to the rites and ceremonies of the Protestant Episcopal Church by the Reverend Benjamin Moore and renamed “Zion Protestant Episcopal Church.”

On August 31, 1815 a catastrophic fire swept through the area, destroying 35 homes and essentially gutting the church. The attempts to rebuild made by the rector, Reverend Ralph Willston, were so financially crippling that he was forced to resign in 1817 and the property was sold under foreclosure at public auction at the Tontine Coffee House on Wall Street.

Peter Lorillard purchased the building and reassured the concerned parishioners that he “would retain the property until some friends of the church would stipulate to finish rebuilding, and then restore it to its former ecclesiastical organization.” Six congregants stepped up with sizable donations, aided by a $10,000 loan from Trinity Church.

The renovated structure was completed in 1818, dedicated by Bishop Hobart on November 16.

The arrival of countless immigrant ships carrying Europe’s poor made the area around Zion Church a cesspool. Charles Dickens in 1841 thus described its horrors: “near the Tombs; Worth, Baxter, and Park Streets came together making five corners or points of varying sharpness, hence the name “Five Points.” It was an unwholesome district supplied with a few rickety buildings, and thickly populated with human beings of every age, color and condition.”

On January 28th, 1853, Zion Protestant Episcopal Church was sold to the Reverend John Hughes, of the Roman Catholic Diocese of New York. The church continued to serve the Irish, Italian and the Chinese immigrant populations in New York. It therefor became known as the “Church of Immigrants.”

In 1868, Henry Engelbert designed additions to the church, including the tower. In 1966, the building was designated by the New York City Landmarks Commission, who noted that it was one of four Georgian-Gothic landmark churches of locally quarried Manhattan schist on the Lower East Side.

 

50 Oldest Churches of NYC: Saint Paul’s Chapel

Posted on by Thor

Saint Paul’s is a chapel building of Trinity Church, an episcopal parish, located at 209 Broadway, between Fulton Street and Vesey Street, in Lower Manhattan, New York City. Built in 1766, it is home to an active worshiping community.

Architects of the Chapel were  Andrew Gautier, James Crommelin Lawrence, and possibly Thomas McBean.

When it first opened in 1766 as an outreach chapel of Trinity Church to better serve its expanding congregation, St. Paul’s was a “chapel-of-ease” for those who did not want to walk a few blocks south along unpaved streets to Trinity. A decade later, the Great Fire of 1776 destroyed the first Trinity Church, but St. Paul’s survived, thanks to a bucket brigade dousing the building with water.

On April 30, 1789, after Washington took the oath of office to become the first President of the United States, he made his way from Federal Hall on Wall Street to St. Paul’s Chapel, where he attended services. He worshiped her often afterwards while NYC was the nation’s capitol.

On September 11, 2001, the World Trade Center buildings collapsed just across the street, yet there was no damage to St. Paul’s, earning it the nickname “the little chapel that stood.” St. Paul’s became the site of an extraordinary, round-the-clock relief ministry for the rescue and recovery workers that lasted nine months.

Tamid: The Downtown Synagogue has held services in St. Paul’s Chapel since 2012, and the chapel frequently hosts interfaith prayer events.

St. Paul’s Chapel, is the oldest public building in continuous use in New York City.

50 Oldest Churches of NYC: Old Saint Patrick’s Cathedral

Posted on by Thor

The Basilica of Saint Patrick’s Old Cathedral, sometimes shortened to St. Patrick’s Old Cathedral or simply Old St. Patrick’s, is a Catholic parish church, basilica, and the former cathedral of the Archdiocese of New York, located on Milberry and Prince in the Nolita neighborhood of Lower Manhattan, New York City.

The cathedral was designed by the same architect who designed New York City Hall, Joseph Francois Mangin. When completed in 1815, it was the largest Catholic church in the United States.

On April 23, 1861 there was a blessing of the colors of the “Fighting” 69th “Irish Brigade” regiment by Archbishop Hughes before the regiment set off for active duty in the Civil War. My 2nd Great Grandfather John Hickey served in the 69th and fought in the battle of Bull Run, Antietam, Fredericksburg and .

A fire destroyed the interior of the Old Cathedral on October 6, 1866; it was rebuilt and re-opened on St. Patrick’s Day in 1868

On March 17, 1885, the debt of St. Patrick’s Old Cathedral was finally paid off, and the church was consecrated.

The Old Cathedral and associated buildings are among the first sites to be designated as New York City landmarks in1966. Campus complex was listed on the National Register of Historic Places in 1977.

50 Oldest Churches of NYC: Church of the Holy Apostles

Posted on by Thor

The Church of the Holy Apostles is located at 296 Ninth Avenue at 28th Street in the Chelsea neighborhood of Manhattan, New York. Its historic church building was built from 1845 to 1848, and was designed by New York architect Minard Lafever. The geometric stained-glass windows were designed by William Jay Bolton.

The Holy Apostles congregation was founded in 1844 as the result of an outreach by Trinity Church to immigrants who worked on the Hudson River waterfront west of the Church’s location in the Chelsea section of Manhattan.

Lafever enlarged the building by 25 feet by adding a chancel in 1853–54. In 1858 the congregation needed to expand, so architect Charles Babcock of the firm of Richard Upjohn & Son enlarged the building into a cross-shaped sanctuary with the addition of transepts.

The church, is the only one that Lafever designed which remains standing in Manhattan. It is also one of the very few of Italianate design on the island.

It is rumored that the church was a stop on the Underground Railroad during the American Civil War.

In the 1970s, the church was instrumental in the foundation of Congregation Beit Simchat Torah, a synagogue for gays and lesbians begun by Jacob Gubbay. It hosted the congregation from 1973 to 1975, and again from December 1998 until it found a permanent home in April 2016.

In that same decade, Holy Apostles hosted the ordination of the first woman priest (and openly lesbian) in the New York diocese, Rev. Ellen Barrett.

In 1959, builders of Penn South, a housing cooperative that surrounded the church,  considered demolishing the church to make way for development.  Ultimately, four churches on the site, including the Church of the Holy Apostles, were saved. The sanctuary was badly damaged in 1990 by a fire, in which some of the stained-glass windows were lost. A restoration began almost immediately, and was completed in 1994 under the supervision of Ed Kamper, without interruption of the social services the church provides.

The Church of the Holy Apostles was designated a New York City landmark in 1966, and was added to the National Register of Historic Places in 1972.

Beauty and the Beast at the Garden Theater

Posted on by Thor

Beauty and the Beast with music by Alan Menken, lyrics by Howard Ashman and Tim Rice, and book by Linda Woolverton is at the Garden Theater through May 22, 2022.

Trapped in her provincial life, an intelligent young woman risks everything to save her father from a terrifying Beast in an enchanted castle. Belle becomes the heroine of her own story as she discovers the power in daring to be different and breaks free from the expectations of her quiet village. Filled with dancing teapots, gorgeous costumes, and theatre magic, this international best-selling sensation has been re-imagined like never before for the Garden stage.

What I love about this production, which is produced in the Don’t Say Gay and Anti-Woke Bill state, is that the theatre selected a diverse cast, including Belle, a white role in the Disney movie, instead as powerful woman of color. The show also ignored conventional gender roles or identities, as well as infused African design motifs into the elegant costuming. The wardrobe in particular was fabulously dressed and knew how to belt out the tunes. The dusters in the castle wore tight red corseted costumes as they performed their Rockettes style kick dance routines. Chip managed to steal every scene he was in riding around the stage on a small tricycle. I am delighted the the show likely ruffled a few feathers in Winter Garden.

I sketched the show from the nose bleed section shoulder to shoulder with the tech crew. I was quite relived that all the theater staff wore masks and took every COVID precaution including  clear plastic shields in front of the tech equipment. From what I saw in the lobby, the audience was mostly unmasked and the show was close to being sold out. A fog machine demonstrated the movement of aerosol particles through the theater.

Another nice touch is that the Garden Theater will present an American Sign Language-interpreted performance and a Sensory Friendly performance for families that have members (both children and adults) with Sensory Processing Disorders (SPD), Autism Spectrum Disorders (ASD), and special needs.