Crealde Pandemic Student

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At Crealde School of Art once each series of classes I pose for students doing 5 minute gestures and then I have students pose in turn. With one student I will do a 5 minute demo to show how I approach getting the figure on the page with as much information as possible. Rather than just using a pencil, I use watercolor as well to get quick color shapes down on the page.

With more time I would work on top of this adding detail in ink and making the darks darker. My process is pretty simple, in each section of the sketch I want to have three values, the white of the page, then a medium value and a dark dark. In this sketch I only had time to throw a medium value over the darker areas of the figure.

Sometimes detail is left out due to time constraints but then you realize that the that detail isn’t always needed. The goal is to dance on the line between crazy rough and gloriously refined. So long as each sketch is not the worst I have ever done, I can keep moving forward.

My latest Urban Sketching Class for advanced students was canceled because not enough students wanted to sing up. Either students are social isolating or there isn’t much interest in sketching on location. I still wear a mask every time I sketch on location. The pandemic isn’t over and I have dodged the COVID bullet so far.

A Halloween Carol Rehearsal

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During the pandemic, Tracy Jane wrote the book, music and lyrics to a frightful new musical called A Halloween Carol. Orchestrations were done by Christopher Robinson. I have seen Tracy’s work on stage before so I was excited to see what she had in store. Tracy is like Orlando’s Nora Ephron, writing stories for stage productions with heart and humor.

I had some difficulty finding the rehearsal space on the Seminole State College campus. I finally had to ask someone for directions. It turns out that I asked Nicole Ponce (Marley Jacobs) for directions and I was right outside the building I was looking for. I wandered the halls and some classes were in session and I could see the occasional masked student through glass door panels. There was a ruckus behind one of the classroom doors and I decided the noise had to be the excitement of actors just prior to rehearsal. I was right. Stephen Lewis (Barnaby) offered me advice for a sketching angle.

There was blue tape on the floor to mark the size of the circular stage of the Renaissance Theater. Chairs were arranged inside the circle. Tracy explained the difficulty of getting an entire cast to learn the range of songs. Orchestrations were still being changed on the fly from one rehearsal to the next. A piano accompanist was brought in for this rehearsal. His ability to stop and start and offer feedback helped solidify the music as it evolved.

Actors sat on the floor shuffling and arranging sheet music. The sheet music must be evolving from rehearsal to rehearsal. At one point a pile of sheet music avalanched off of a chair. She offered to pick up the pile but was rushed on stage. Rehearsal started, and the actors quickly scrambled into their seats. That is when sketching began in earnest.

The first song the cast rehearsed started with the lyrics, “look at me.” It seemed appropriate since I was deeply engaged in looking at each cast member in turn trying to capture their delight and humor. Carson Holly (Ghost of Halloween Past Perfect) in a skull patterned sweater, impressed me with her professionalism. She asked for notes and joked with her co-star Alessia Preda (Carol Cratchit). They gave each other high fives when the music hit the mark. At one point Carson stepped on the leg of her fragile music stand and it snapped and tumbled over. She handled the setback with delightful humor. Luckily it happened right before a break. Her stand was replaced with a solid steel behemoth for the second half of rehearsal. I smiled behind my mask overjoyed to see this young cast stretching their incredible talents. Another song, Past Perfect, had me bobbing my head as I sketched.

Music director Billy Williamson encouraged the cast and kept them on point while keeping to the tight rehearsal schedule. At times Tracy had to help get the music back on track and she would hum a few bars to set the record straight. She explained that she had written pretty simple songs, but the rich and layered orchestrations took some practice to learn. Carson used her phone to record important passages she needed to further rehearse. During a 10 minute break, actors got to ask the pianist to go over certain passages.

There will be an exclusive Orlando preview workshop of A Halloween Carol on October 26, 2022 at the Seminole College Library at 7PM.  Donations are accepted for the performance. All proceeds and donations from this event will benefit both the school’s library and the show’s cast, to be shared equitably among cast members. You can be among the very first treat-seekers to preview the frightful new musical. The hope is that will be further developed into a full staged production if the stars align.

I am told the Renaissance Theater performance on Halloween Eve (October 30, 2022) will sell out. Here is a link, just in case you are lucky enough to get in.

Crealde Student

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In one session of each series of Crealde Urban Sketching classes I pose for students and then have each student in turn pose of 5 minutes. I give a brief lecture on human proportions and how to fit the figure on the page by noting where the head and feet will be planted before starting the sketch.

I also point out that everyone has more tools at their disposal like watercolor and which can be used to throw quick masses o the page. I do a demo showing my process as I sketch one student. My hope is to convey a frenetic approach where the process is part sketching and part juggling the many tools.

After we do a series of sketches of students isolated on the page like this one, we then start ingratiating the figure onto an environment. I often have the students do a sketch on the Crealde campus and then ask them to incorporate their favorite sketches that they did of fellow students so that it seem like the student was sketched while relaxing on the campus. This then also becomes a lesson in sketching multiple figures on the same page and having them work together in perspective.

Candle Oracle

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Testing sites for COVID-19 have closed across the United States.Congress slashed funding to keep track of cases across the country. At home tests are being used but those results are seldom reported to health agencies. That means that any case counts are just the tip of the iceberg.

This gave birth to the Yankee Candle theory of tracking COVID cases. It was discovered that whenever there was an influx of negative reviews citing no smell, there was usually a spike in COVID cases to go along with it. Losing your sense of smell is one of the many symptoms of an infection.

Nick Beauchamp an associate professor of political science at Northeastern University, decided to do a more detailed study to test the finding. He created a model to test the results. To his surprise, the relationship was clear; COVID cases followed a very similar pattern to the frequency of the reviews. By mid-January 2022, he had written a paper and submitted it to a journal, and by June 2022  it had been published.

Tthe results from the paper showed that COVID when there was a recorded surge in COVID cases, there would likely be an increase in the negative reviews. A negative reviews might actually be an earlier warning sign than the official COVID data. The reviews offer  “digital breadcrumbs,” of the rising cases to come.

Crealde Demo

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Once with each class at Crealde I do a quick demo to show the stages of progress for a typical sketch. Behind the classroom is this tranquil view across the lake. I didn’t spend as much time as I usually do on the inking of the line work. I opted to keep much of the distant far shore line work in pencil and I just inked the chairs ad the sculpture. Part of the lesson was to encourage students to leave the white of the paper showing in multiple places.

The grass wasn’t just painted green. instead I painted it yellow where the sunlight hit, then green then yellow ocher and then blue where shadows hit. My goal is to get students to get away from a puzzle piece approach to covering the ppage with color. Instead I try to get them to only use three of four very large washed to cover most of the page and then to break up those large wash areas into smaller light and dark areas.

If the darks are taking too long to put down then I just start frantically scribbling in darks with colored pencils. The main point is to get the students to see my chaotic and frantic approach. There is never quite enough time to finish a sketch to a high degree of polish so I paint like a madman and then slow down if the subject lingers.

COVID Class

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This sketch from January of 2021 shows one of my Urban Sketching classes held at Crealde. At the time the case counts were the highest they had ever been during the course of the ongoing pandemic, with over 800,000 new cases a day in the United States. At that time over 2,500 people were dying from COVID every day in the United States.

I kept my classes outside for student safety but maintaining social distancing was a challenge. Students don’t go to in person classes to social distance, they go because they want a break from social isolation. I maintained my own social distance by carrying a 6 foot long stick. More often than not I maintained a 22 foot distance since I am well aware that an airborne virus does not limit itself to a six foot radius. It billows in the wind.

Each student still got one on one attention since I would share my ideas with quick sketches to demonstrate perspective and composition. Those sketches remained in my sketchbook, but I did them bold enough to be seen from any distance.

Today deaths have remained steady at about 400 to 500 deaths a day from COVID-19 in America since about April of 2022. People however are “over” the pandemic. 500 deaths a day seems like a drop in the bucket compared to the 2500 deaths a day we faced in January of 2021. People will do anything rationalize crowding together and wishing away the pandemic. This fall and winter the numbers will again rise thanks to new immune evasive variants and the fact that masks and social distancing seem to be a thing of the past. I continue to take every precaution. I like being the only person in the room wearing a mask.

Fall COVID Colors

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Emerging COVID variants and waning immunity means there will be a wave of COVID infections in the fall and winter of 2022. BA.2, BA.4 and BA.5 are subsiding but other variants are in the wings to take it’s place. The effort to roll out a bi-valiant booster to combat the new variants has been anemic at best. Only 2% of Americans have opted to get the shot. Al the while Omicron is evolving with a new generation of immunity-dodging variants.

United Kingdom and some other European countries, are seeing the swift ascent of BQ.1 ( a descendant of BA5). In India, the BA.2.75 variant is on the rise. BA.2.3.20, is growing quickly in Singapore, and has turned up in Denmark and Australia. BQ.1.1 (a member of the BQ.1 family with one extra spike change) and BA.2.75.2 are the most immune evasive, being able to dodge most neutralizing antibodies elicited by infection with BA.5. That means your past infection will not protect you from being re infected.

BA.4.6, dubbed Aeterna by variant trackers on Twitter, is slowly but steadily climbing toward the top of the mountain of variants in the U.S. In early October 2022 it accounted for 14% of cases in the United States. It’s growth is exponential. Aeterna appears to have a nearly 6% growth advantage over BA.5, according to an Oct. 7 technical brief from the United Kingdom Health Security Agency.

I am sure your head is swimming with all the different variants which are competing to infect us. Those who have gotten vaccinated have some protection from severe disease and death but the anti vaccine folks are shit out of luck.

Dr. Anthony Fauci, predicts a coming wave of infections that will swell in October and peak in late December or early January. So far no single variant has become undeniable the most dominate. I would put my money on BA.4.6 to be knocking on your door this fall season.

Covid Macht Frei

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In Germany the number of ICU patients in the hospitals was just 200 two weeks ago, that has surged to over 1600 patients as of October 13, 2022. On October 10, 2022 a clinic in Munich, Germany had to deal with a sudden wave of COVID patients. Thirty to 50 percent of the hospital staff were out sick. The clinic work counsel reported that they could not guarantee optimal care of their patients. This clinic is in the same city that just finished hosting Octoberfest celebrations after a two year hiatus.

An estimated 5.7 million people attended Octoberfest in Germany. Nothing has been learned from past super spreader events. The virus thrived in such a setting where thousands gather together and drink beer while taking no respiratory safety measure such as social distancing, and masking. This is the perfect storm. Germany’s health minister, Karl Lauterbach said, that the festival likely had an impact on the rise in COVID cases. Cases are rising all across Europe.

Besides the festival itself, changing behavior in general are likely leading to the rise in cases. German politicians of all parties have published pictures of themselves without a mask at the festival. According to the new Infection Protection Act, even minor requirements, such as access restrictions, mandatory hygiene and mask mandates, are no longer permitted. People are over COVID and they want to get drunk to forget about the 151,000 Germans who have died from COVID so far. Over six million Jews were murdered in the holocaust, so several hundred thousand dead do to COVID is a drop in the bucket.

In Germany about 80 people lose their lives to COVID-19 every day in Germany and a new wave is gathering speed, at the same time the German federal and state governments are dismantling the last remaining measures and promoting a “live with the virus” strategy. In cities around the country that host Octoberfest celebrations similar rises in cases are happening. In Rosenheim, Germany for example, the seven-day infection rate rose there to over 1,000 infections per 100,000 inhabitants approximately one-and-a-half weeks after the start of the Oktoberfest.

Right now over 85% of hospital beds are occupied in Germany. On October 14, 2022 Germany record 114, 198 new cases. With at home testing and under reporting that is just the tip of the iceberg. Germany’s doctors association, Marburger Bund, urges states with surging COVID rates to reintroduce mask mandates in public indoor settings and transport. Germany’s Health Minister also called for the re-introduction of mask mandates, citing the “Shar increase” in COVID cases. As with most “suggestions” and “urgings”, both will go ignored. PROST!

 

 

Apologies to Lorraine Hansberry (You Too August Wilson)

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This play by Rachel Lynett, exists in a “historically inaccurate” world. The playwright asks the audience to imagine that after the election of President Trump in 2016 there was a second Civil War that segregated the country. A member of the all-Black state community raises concerns after a resident’s partner, who is Afro-Latinx, moves to town. This dynamic, funny, and heart-wrenching winner of the 2021 Yale Drama Series Prize was previously seen at Orlando Shakes as a part of PlayFest 2020. Now see this ground-breaking, fully produced production!

In the first act the play seems to do a hard restart with the author changing course and retelling the story from another angle. In every scene there is a sense of exuberance and joy with an underlying fear that the safety of the community can not last. A street party busted out with most of the audience getting up to join in the dancing. I was a stick in the mud since I kept sketching.

My favorite moment came when the author texted the actors and asked them to define what blackness meant to them. Every actor in turn offered a monologue from their personal experience of that blackness meant to them. It was incredibly heartfelt and moving. It has been a long time since I sat in a small theater and fell in love with an entire cast. I will not try and peel away all the layers of judgement and acceptance that made this cast such a joy to watch. I identified with the proud artistic spirits who rose despite never being encouraged to do so.

The show runs approximately one hour and 30 minutes, with no intermission. The show runs through October 30th in the Goldman Theater in the Orlando Shakes (812 E Rollins St Orlando, FL 32803). I highly advise seeing the show, just bring along your KN-95 masks.

Crealde Safety Measures

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I have held most of my Crealde Urban Sketching classes outdoors to help protect my students from possible exposure to the COVID-19 virus. We had one close call where a student who was waiting for the class to start tested positive for COVID.  I had to miss a class when a house guest brought home the virus, having caught it at a summer camp. Miraculously through isolation and diligent wearing of masks at home both Pam and I avoided exposure.

Anyway, at Crealde we explore the Crealde campus with our sketchbooks. I sketch along with the students and I have never run out of interesting angles to draw. The sketches I do here are probably the best documentary sketches I have done of what it is like to responsibly live with the virus.

On Jun 19, 2020 Crealdé School of Art Covid-19 Safety Measures were as follows:

1. We are reducing the maximum number of students in our classes to 6 – 8 students
depending on classroom size and medium.

2. We are re configuring our studio spaces and work tables to allow for 6 feet social
distance. Classroom floors will be clearly marked in a way that student traffic and
pathways utilized will not impede or intrude upon the six-foot or more social
distancing.

3. Galleries and exhibition spaces will be limited to 10 visitors at a time adhering to the
six foot social distancing guideline.

4. On a daily basis, Crealdé and Heritage Center staff are cleaning bathrooms and
disinfecting doors, handles and classroom surfaces.

5. We promote frequent and thorough hand washing by faculty, staff, students and
visitors.

6. We continue to ask that any staff, faculty, students or visitors who are coughing,
sneezing or in general not feeling well, to please stay at home, and to continue to
follow the directions of the Centers for Disease Control and Prevention (CDC) or a
health professional. Anyone demonstrating health issues will be asked to leave.

7. Students are encouraged to use their personal work/art tools and equipment when
possible. For youth classes, separate individual “baggies” will be provided for each
student’s class supplies.

8. We are instituting regular/enhanced instructor housekeeping and
maintenance/janitorial practices, including routine cleaning and disinfecting of
surfaces, equipment, and other elements of the school environment after each class
is dismissed.

9. Until further notice, we strongly encourage the wearing of masks in classrooms and
exhibition spaces for students and visitors. All of our instructors will be wearing
masks in class. We have extended  our mandatory mask wearing policy for at least through the winter session.