Lousy T-shirt

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The theme for an art exhibit at Orlando Museum of Art’s 1st Thursdays event was “Fashionista.” In the beginning of 2010 Brian Feldman had met with 10 Orlando artists to discuss collaborations in his “Swan Boat Talks.” This project with Johannah O’Donnell was the first project to be realized from those talks. Johannah and Brian had created 20 T-Shirts that read, Lousy T-shirt using a simple silk screen press. This was the first time that either of them had done silk screen printing so the printing was a bit spotty in places.

People could get a Lousy T-Shirt if they traded in the shirt they were wearing. I went into the men’s room, changed into one of my paint rag T-shirts and traded that for the fashionable black Lousy T-Shirt. I didn’t step behind gallery wall to do the exchange. As I removed my shirt Brian said, “Hey everybody, this is your opportunity to see Thor half naked!” Once I had on my brand spanking new T-shirt, I found a spot to sit and started sketching. Brian and Johannah were constantly posing for pictures. By the end of the evening, every Lousy T-Shirt had been given away and the rack was full of a wide variety of shirts and tops.

Ellie Watts-Russell

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I went to visit the Kerouac House writer in residence, Ellie Watts-Russell, on a warm sunny afternoon. When she writes she cuts herself off from all distractions. The cell phone is turned off the night before and the computer is off to avoid the distraction of Facebook. She was getting close to the end of the novel she was working on, entitled “The Lodge”, and and she didn’t want to rush to the finish line. Usually when she writes she shares her work with another writer to get his opinion while she reads his work. Since she was working alone at the Kerouac House she spends more time proof reading her work. This is what she was doing when I joined her on the porch to sketch.
Born in 1979, Ellie is a graduate of Andrew Motion’s Creative Writing course at Royal Holloway. In 2006 she was appointed Writer-In-Residence at HMP Ashwell, an all male prison in Rutland. She speaks with a charming British accent. A petite hummingbird necklace adorned her neck. We sat quietly for more than an hour as she worked. Her Oxford dictionary and thesaurus were on hand and she occasionally consulted with them. Her Moleskin notebook seemed to bulge at the seems. Her keys, attached to a mountain climbers clasp were partially tucked into her notebook. The glass of ice water sweated as she worked. I can’t wait till “The Lodge” hits book stores.

Denna Beena’s Wedding dress

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Denna Beena is engaged to Travis Fillmen. The wedding is being planned for fall of 2012. Amanda Chadwick arranged for Deena to try on wedding dresses. Now Deena isn’t someone who I would consider to have conservative tastes. Her hair is bright pink with purple and yellow highlights. I am more used to Deena wearing bright colors and black leather boots.

I got lost trying to find the Bridal shop. I thought it was in the Millenia Mall but Amanda texted me to let me know it was in a strip mall near a Super Target. Deena had already tried on a dress as I scrambled to find the place.

The Bridal shop was a flurry of activity. Tony Bennet crooned. I walked past row after row of white dresses toward the back of the store, then Amanda flagged me down. Deena was inside the dressing room. When she came out she was wearing this simple elegant dress with a brown sash around the waist. She liked it but wasn’t sure it was “the one.” The shop only allowed the future brides four dresses to try on. The dressing rooms had to be booked in advance. After four tries Deena had not found the perfect dress. This was a major step forward towards making the dream wedding a reality. Amanda offered some advice but was mostly there for moral support.

At lunch afterwards we had a long discussion about whether I should post this sketch. After all Travis shouldn’t see his blushing bride in the dress until the wedding day. It was decided that since this wasn’t “the” dress, it would be alright to post it.

Signing CDs

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Terry got tickets to hear world class violinist, Joshua Bell, play with the Orlando Philharmonic Orchestra at the Bob Carr Theater. We were seated far back away from the stage so I didn’t attempt a sketch. Terry pointed out that my name was in the program twice, probably because I had donated a sketch for a fundraiser. The house lights dimmed and I snuggled back into my seat. The music was soothing so I closed my eyes and drifted away. Periodically my head would bob forward and I would shake myself awake before drifting off again. The violinist performed after the intermission. He played admirably with bravado and flair. He stood the whole time shifting his weight often, swaying with the flow of the music.

For an encore he performed “Yankee Doodle” which he spiced up with so much intricate showmanship that it was always a surprise when the simple tune became recognizable. Christopher Wilkins the conductor let everyone know that the violinist would be signing CDs in the lobby after the performance. He joked that if you had your own sharpie, you might be allowed to sign the violin. Apparently the Stradivarius violin has a long colorful history.

I have been searching for lines to draw and there was a huge line of people waiting to get their CDs signed. As soon as I started sketching the line started to move. A handler hurried people along making sure they didn’t speak to the musician for long. “Please keep it moving” he kept saying. As I sketched one of the ushers approached me and said I would have to leave the floor. There were hundreds of people in the lobby and I didn’t understand why I was being asked to move, but I complied. I continued to work on the sketch from a vantage point on the stairwell to the lobby. When I saw the usher was gone, I returned to my original spot and continued to work. By this time I was in a foul mood. I wondered if the violinist’s handler had considered me some sort of threat. Was my sketching causing a disruption? Honestly few people noticed what I was doing. This incident made me feel like sketching events at the Bob Carr is more of a hassle than it is worth.

Crealde

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On Sunday mornings from 10am to 12:30pm there is a figure drawing class at Crealde. I go periodically to play with new materials and to experiment. The drawings I have been doing for the Mennello Museum mural are being done on larger sheets of bond paper with pencils, prismacolor and watercolor. There is a good chance that sketches done for future blog posts will be done in this larger format. The bond paper I have started using accepts watercolor washes with ease. I love being able to throw down loose gestural washes and then putting line work on top of it. The pens I usually use tend to clog up if I sketch over a wash. What I need now is an 11 by 17 inch hardbound bond sketchbook.

Costume Contest

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Terry was at the bar with a co-worker when I arrived at Taste for the Anime Masquerade. When I started a second sketch of the cast of characters at the end of the bar, she decided to head home. Neither of us were in costume, so we kind of stuck out from the crowd. After the burlesque, there was a costume contest on the main stage. There was a cat lady with flaming red hair, that masked guy from Vendetta, some hooded guy who was perhaps a hangman, and some guy who I think was a Cheshire Cat. Lets face it, I don’t know enough about Anime or video games to know who was who. There were some choice prizes however from “A Comic Shop.” Next time I should make more of an effort.
The evening was a challenge. Everyone was constantly on the move in the tight space. Every sketch swam in a sea of uncertainty. I am starting to realize that I should ask people to pose. Some of the costumes were so complex and beautiful that I am certain that the creator would be honored to pose. I need to stop trying to catch the big picture sometimes and instead go in for the close up.

This was a very crowded and successful event. I’ve been told that these kind of costumed events happen fairly regularly in Orlando. If you know of such events please contact me here or on Facebook. I would love to keep sketching these types of events.

Anime Masquerade

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The Anime Masquerade was held at Taste to help raise funds for Japanese relief. At the bar people gathered in costumes to drink. Apparently there is a new phenomenon in which people dress as their favorite video game or anime character and then go places where others do the same. In the back room Anime themed paintings lined the walls. This was a difficult event to sketch since the people in costumes were constantly on the move, voguing for one camera and then another. I sat on the steps to the stage. On the table in front of me, a man and woman in kimonos, named Hai and Nhi, were displaying art work. A sketch that reminded me of self portraits by Egon Schiele was lying on the table along with a tip jar. A woman dressed like Speed Racer wandered the room.

A woman climbed past me to get on stage. She announced a burlesque show. Behind her a blue satin bolt of fabric hung from the ceiling. Honey Malone took to the stage and wrapped herself in the fabric. What followed was an aerial act and burlesque that had me mesmerized. I stopped sketching and just watched. She held herself suspended by just wrapping her legs in the fabric.

The woman dressed as Speed Racer also did a burlesque. She began in a car seat acting like she was driving. She got up took off the helmet and let her long blonde hair flow free. It wasn’t long before her blue costume was lying on the stage and she danced with tasseled pasties decoratively spinning on her chest. My reflexes weren’t quick enough to catch the action. Actually as I think back, I wasn’t paying much attention, since I was engrossed in finishing another sketch. Yes… That’s right, I didn’t see a thing.

Austin’s Coffee

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Austin’s Coffee (929 West Fairbanks Avenue) has become a spot where I can wind down after work. I often have an hour or two to kill before heading off to sketch an event and it would make no sense for me to drive all the way home. I usually order a Yak which is a cold coffee with caramel and chocolate. 0h, it is so good. That is my coffee with the plastic domed lid and a straw in the lower right corner. I like to sit up on the staging area in front of the front window. The wooden tables and chairs are fancifully painted. Then, as I sip my coffee, I start sketching fellow patrons.

This fellow was using Austin’s as his office. There is free Wi–Fi. He complained to a buddy about the job market and he refused to go back to an office where he was asked to work overtime with no extra pay. The odd painting behind him caught my eye. Larvae or grasshopper people were caught in a violent looking copulation embrace. The colors dripped and splashed with few features to define pleasure or pain. Each brick on the wall is individually painted in the entry area. The place is a constant visual feast.

Andy Matchett & The Minks

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I had seen Andy Matchett & The Minks perform once before at a RIFF fundraiser at the Cameo Theater. They performed late that evening and I had put away my sketchbook. I had so much fun at that concert just dancing and jumping. It was a playful rave experience. Ever since then I have been looking for a chance to sketch this band in action. Andy told me about a concert at the Social and I leaped at the opportunity to see them again.

I had just finished an afternoon of sketching people for the Mennello Museum mural. Angela Abrusci had posed in a beautiful vintage dress as she applied lipstick and James and Jasmine Barone had me in stitches, joking and teasing as I worked. She held a parasol and he was in a kilt. When the sketches were done, I walked across the street to the Fringe festival’s green lawn of fabulousness to get some dinner. I bumped into Jeremy Seghers who was also going to see Andy Matchett & The Minks that night. He told me the group would be performing around 11pm so I had time for a Fringe show. He told me all about the show he had created called “Squatters” and it was about to begin so I rushed over to the theater. Jeremy told me the Social was on Orange Avenue just south of Colonial Drive.

I parked downtown in my usual “supersuprimo” spot and started walking towards Orange. I passed a cheesy mural which offered no inspiration. When I got to Orange I made the mistake of turning right to walk north towards a club I had been to before. After five blocks I realized I was lost. I looked up the Social address on my cell phone and went the other way. I was a sweaty mess when I got to the Social, where I was issued a green wrist band and ushered inside past the bouncer. I immediately saw Betsy Dye and Emma Kruch and my spirit lifted. Another band was performing and they were LOUD! I shouted a greeting to Betsy and she shouted out that this was a rare night out for her. Jeremy waved me over and I gave up trying to shout over the music. I found a spot where I decided to plant myself to sketch. I used the band on stage to block in where the Minks would likely be once they performed. Then I sketched the dancing crowd.

As Andy Matchett & The Minks set up, I continued to sketch. Before they played, a band member handed me some confetti. Jeremy found some seats and I joined him. The performance was pure unbridled fun. The second they started playing, confetti cannons sprayed vast clouds of heart shaped confetti over the crowd. Hair driers kept the confetti and streamers airborne through the whole show. Blowers sent streams of toilet paper into the crowd. Betsy collected the paper and wrapped herself into a fashionable cocoon. The lights flashed various colors on my sketchbook page. I imagined the Japanese animation that caused seizures in children. A parachute was unfurled over the cheering audience. Britt Daley had performed earlier that night and she introduced me to her mom, Gazelle. Jeremy kept getting bonked in the head and we laughed. Robbie Senior, a giant red robot from “Dog Powered Robot” invaded the stage. An epic laser and confetti battle followed. The crowd went wild. A wine glass crashed to the floor. A woman who had been sitting demurely all evening, was now dancing up a storm. The next day when I opened my sketchbook to see what I caught, a pink confetti heart fluttered to the floor.

Bitches of the Kingdom

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I desperately wanted to see “Bitches of the Kingdom”. The show had won a Patron’s Pick Award and so it had one last performance on Memorial Day. I had met the producers Fiely and Dennis and they were so incredibly gracious. When Terry and I arrived at the Shakespeare Theater lobby, there was already a long line. This time around there was no problem picking up tickets. The line stretched from the entrance of the Margeson Theater all the way to the entryway. A volunteer split the line behind us and then had it wind back down the length of the building down a ramp. Every time someone entered, the volunteer would ask them if they had their tickets and a Fringe badge. He would then direct them to the end of the line.

When we got inside the Margeson, we looked for seats on the side lines so I could be close to the performers. Fiely Matias, the show’s producer and director pointed to two seats that were being saved with yellow programs taped to the seat backs. Terry was pleased and the seats were in a great spot for me to sketch from. I hooked up a book light to my sketchbook so I could sketch when the house lights went down.

The show was a delight from the start. It plays upon the princess complex that is so prevalent in the Disney Animated films. These princesses look beyond “Happily Ever After.” They had attitude. Snow White played by Michelle Knight started things off with a stunning solo. I have seem her perform twice before. She knows how to grab an audience’s attention and hold it from the first note. Her voice is hypnotizing. The music and lyrics were written by Dennis Giacono who sat behind the piano. The lyrics and performances were always laugh out loud funny. Snow White held a note for so long that the audience started to clap. Cinderella played by Brittany Berkowitz LeNoir waited excitedly to begin her song. Snow White hogged the spotlight by extending her song with flashy vocal acrobatics, interrupting Cinderella every time she stepped forward. Snow White sang to a pretty bird on her finger then she gently tossed him in the air and he dropped like a rock. She tried to kick him aside like nothing happened. lt was hilarious.

One of my favorite numbers was “All I want to do is Eat!” Cinderella was on the thin side and any Disney princess seemed to always have a pencil thin waste. At the end of this number Cinderella is so lost in the thought of food, that she shivered orgasmically. Belle covered her eyes while the other princesses raised an eyebrow. The song ended with Cinderella getting close to the microphone and taking a rapturous crunch of a potato chip.

Another funny number was “Big Tits.” Snow White dominated this number with a sassy, sensual performance that stressed the power she held over any Prince Charming. As she put it, “Do I look like I have to wait for my prince to cum?” After a moments pause the audience roared. Early rehearsals demonstrate much of the charm and magic that was brought to life with today’s cast. I can’t brag enough about this production. I hope it has a long life in increasingly larger venues. These bitches rule!