The Way of the Cards

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The Way of the Cards will have its World Premiere on April 27th at 8:30pm at the Lowndes Shakespeare Center- Mandell Theatre (812 E. Rollins St). This play is written and directed by Orlando native, Aradhana Tiwari. Aradhana has always had a rare ability to utilize the creative talent around her to its full potential. This sketch is from a Project F rehearsal held in a green screen stage at a TV news studio in town. The actors were writing down personal experiences, each of which influenced the direction of the production. The cast was very much a part of the creative process.

I saw an early staging of The Way of the Cards back in September of 2011. This was an early draft of the play, but it already had a serious dramatic punch. Notes from a talk back at the end of that show may have helped as Aradhana went back and re-wrote and tweaked the structure of the play. The play has the unique premise that the interpersonal relationships and power struggles in a family can directly correlate to the stages of a single hand of Texas Holdem. The head of the household is “Sass” Arlington (played by Beth Marshall), may have been the “First Lady Of The Vegas Strip” at one point in her poker career, but now she is simply a tired hack who plays on a riverboat. Her son, “Tip”(played by Anthony Pyatt), is a surly cereal chewing teen who best relates his thoughts by teaching the subtle tactics behind the cards. Sass’s distraction as she struggles to recreate her former winning streak leads to tragic consequences.

Here are the show dates, this is one local gem you will not want to miss.

When:
April 27th through May 6th
Fri 4/27- 8:30PM
Sat 4/28- 8:30PM
Sun 4/29- 2:30PM
Mon 4/30- 8:30PM Industry Night
Thu 5/3- 8:30PM
Fri 5/4- 8:30PM
Sat 5/5- 2:30PM(Matinee, no night show)
Sun 5/6- 2:30PM

Cost:
General Admission: $15
Industry Night: $10 (Guaranteed seating with previous reservation, we are also offering a walk-up admission of pay what you can, it’s not guaranteed seating, but you can pay whatever you want!)

Time:
Fri/Sat/Mon- 8:30PM
Sun/Sat(5/5)- 2:30PM

To purchase tickets please visit our website at www.BethMarshallPresents.com

Weeki Wachee Mermaid Show

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Weeki Wachee is a crystal clear spring west of Orlando straight out 50 towards Tampa. The drive out slowly unveiled the true old Florida with tin roofed houses under huge Live Oaks and ancient pickups with just the right amount of rust. Weeki Wachee has been a unique roadside attraction for over 60 years. When it first opened, the mermaids had to stand roadside to try and attract visitors.

“Fish Tales” the underwater mermaid show was housed in a theater right beside the spring. The stadium seating sloped down to a huge arched glass wall that looked under water into the spring. A miniature castle was perched on the slope of the opposite wall of the spring. A girl rose from the depths and waved to the audience. A snorkeler held her air hose. As part of her “mermaid training” she had to swim straight down into the spring against the flow of water rushing upward. She held her breath the whole way. When she reached the bottom she tugged the air hose twice so the snorkeler could help bring her up. It was an unnerving demonstration of will and faith. She held her breath for over two minutes then did a graceful back flip to prove she was not in a rush for air.

When mermaids performed, turtles and fish would swim nearby. Sometimes a mermaid doing a somersault might bump her head on a turtles shell and she would gently push him away. The final number was a rousing underwater ballet to “Proud to be an American!” A Merman rose from the depths with an American flag as a cape. He spread his arms and grinned ear to ear. The show is campy and over the top fun.

Prop 8

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Beth Marshal Presents brought Prop 8 to the Orlando Shakes. Prop 8 was passed in California stating that marriage can only be defined as the union of a man and woman with the goal being to procreate. Protesters lined the entry walkway towards the theater entrance. They shouted their protests of equal rights to love. There was a surreal irony to the demonstration since most Prop 8 demonstrators would be shouting their judgements and hatred.

This play, written by Lisa Cordes, used court documents in the case to overturn Prop 8. When I got to the theater, Beth showed me where I would be sitting, right next to other bloggers and tweeters on the sidelines. I didn’t have a good line of sight to the judge, so I ended up sitting on my artist’s stool a bit further away from the stage. Daily City blogger Mark Baratelli had been out in the lobby curious about what was going on. He had been at an event across the parking lot at the Orlando Museum of Art but he was drawn to the hubbub at the shakes. I was alone in the theater blocking in my sketch before the actors got on stage. I texted Mark suggesting he join me in the bloggers section. When the play started, I finally realized that the bloggers were actually actors. Silly me. Their fingers floated above the keyboards to make it look like they were typing without creating noise. As it turns out, I was the court artist.

Lisa Cordes herself played a witness and I caught her in my sketch. Her wit and irony made it clear that she believed in the cause of any one’s right to marry. The lawyers who defended Prop 8 did a very poor job and defense witnesses were often weak minded bigots. The bloggers were able to summarize otherwise mind numbing testimony so it could be easily digested with humor and wit. The most compelling testimony came from witnesses who longed to be able to publicly celebrate their love yet were denied by law.

In the end, the play remained unresolved since legislation is still pending. The testimony and evidence certainly left us all with hope that love could outlast bigotry. Chad Lewis and Jason R. Donnelly were to be married in the theater after the performance. Members of their families took up much of the second row of the theater. We all were asked to wait in the lobby as the theater was converted into a chapel. Nicki Equality Drumb and Rachel Equality Gardiner stopped over to say hello. An actor came over and thanked Rachel for being such a good audience member. He explained that he had been exhausted near the end of the play, but her enthusiasm fueled a second wind. She was a bit embarrassed, but that is what makes theater in a small town like Orlando special. The actors truly appreciate the audience. Every year on Valentines day they host “The Human Heart.” Hundreds of people gather in Lock Haven park holding hands and forming a large heart shape. Candles are lit in the name of love and equality. I also love this couple since they go to the courthouse regularly to ask for the right to be married. Hopefully someday soon the tide will turn and the court clerk will finally say “yes.”

Mulan Screening 2DA

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Each month at Full Sail, we have 10 classes instructing the 12 Principles of Animation in the 2D Animation Lab. On the last day of class, students get to enjoy a traditionally animated film as they put any finishing touches on their animation projects and flip books. Often students are illuminated by the warm glow of the animation disks as they sketch. There is usually a rush of activity at the animation cameras as scenes are shot and re-shot.

This month, the class decided to watch Mulan, a film which I put plenty of blood sweat and tears into. This was the first full feature film Disney produced entirely in Florida and the small crew had to put in an astonishing amount of overtime to get the film finished. It was trial by fire, and I loved the pressure. I stayed late without being asked to re-work all the keys in a scene that showed fish swimming underwater. By morning I finished the scene, locking down the stripes and patterns on the fish bodies. All that work garnered quick promotions. Ironically after all the water ripples were added, all that work was distorted, but I still feel pride any time I see it. I haven’t experienced that kind of intense community creative effort since production on that film. I suppose my daily deadlines are my way to keep that pressure cooker active as I strive to grow as an artist.

Topographies

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“Topographies” a series of sculptures by Barbara Sorenson are on exhibit in front of the Orlando Museum of Art. These bright primary colored resin and metal creations will be on exhibit through April Fool’s Day. On March 18th, “Art and Dance: A Pas de Deux” a piece inspired by Sorenson’s Work will be performed in this court yard. The piece will feature Orlando Ballet Dancers choreographed by Robert Hill and Eric Yow.

On exhibit inside the museum is “Made in Florida” featuring three exhibitions and a gallery display. Work in the exhibit features artists who were inspired by the sunshine state. Florida’s unique landscape and culture has inspired artists from all ages. The eclectic permanent collection features work of such acclaimed artists as John Singer Sargent, Cecilia Beaux and Robert Rauchenburg.

I found myself in front of the Museum at dusk with an hour to spare since I planned to attend a piano recital across the parking lot at 7pm at the Margison Theater in the Shakes. This recital, which was part of ArtsFest, was to feature Hyung-Min Suh, the third place winner of the second Florida International Piano Competition. There weren’t many cars in the parking lot. At 7pm I walked into the empty theater. The building was deserted. I checked out the intricate set that was built for “Romeo and Juliet“. The set was gorgeous with a root-like structure holding up an isolated platform as well as the infamous balcony. Now, I really want to see, and sketch the play. This was the second time an ArtsFest event I planned to sketch was MIA. This year’s Fest must be in some disarray after United Arts lost Margot Knight and Cory Warren. An unexpected disadvantage of drawing on a tablet at night is that big beetle and tiny gnats were attracted to the screen’s light.

Madly in Love with Me Celebration

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Around Valentines Day, I went to Dandelion Communitea Cafe to sketch the Madly in Love with me Celebration. Apparently this Celebration was happening in 22 countries and over 500 cities. In the parking lot there were some artists tents set up. Bonnie Sprung had some paintings and delicate scarfs with intricate patterns. Lauren E. Lee was just putting out some hula hoops when I arrived. I knew there might be a drum circle but the event was much smaller than I expected. The woman in charge of the Love Celebration sat alone lightly tapping her drum.

Four lanterns were placed around the fire pit. She took each lantern and walked it out to the edge of the small lawn where she said said a prayer. Her husband helped start up the fire pit. Someone took a container from a Tiki Torch and poured the liquid on the struggling embers. The liquid wasn’t kerosine, it was water. After much struggle, the flame eventually burned bright. Since I was the only other person seated near the fire, I was coached in a drum beat prayer that had me imagine going back to the time when I first heard my mothers heart beat while I was in her womb. At first I thought I might have to fold my hands in in prayer, but I kept sketching. Incense was lit and someone moved it in arcs around my feet and body as I worked. This must be some sort of cleansing exercise. The woman acting as the master of ceremonies announced that at midnight, she and her husband would be celebrating their 20th wedding anniversary. They kissed.

Lauren joined us at the fire and she played saxophone while a little girl twirled, improvising her dance to Lauren’s song. More people joined in for the final incantations, bowing their heads. It was a crisp, cool evening and before the sketch was done, I smelled of fire and incense. There were a few jokes about what self love might mean, but this gathering lifted that notion to a higher plane. I was given a white cut out heart with intricate silver patters swirling on it’s surface. It will make a fine Christmas ornament next year. A large group photo was taken in front of Dandelion and after some coaxing, I joined in.

The Fountain Works

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I have been working the grave yard shift till 1:15am at Full Sail. That means most events I usually go to sketch have to be bumped off my calendar for work. I could sketch at some clubs after 1am, but I don’t have it in me to sketch after working at Full Sail. For this reason I have been finding myself downtown with no preconceived notion of what I should sketch. I tend to park around Lake Eola since I like to use the public restrooms, before, or after I get a sketch done.

On this day, I sat myself down on the soft pine needles and sketched the fountain which was working after a long hiatus of stillness after it had been struck by lightning more than a year ago. No expense was spared to get this Orlando icon back up and running. Once the sketch was done, I packed my supplies and headed back to work.

Food Truck Bazaar

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Mark Baratelli sent me an e-mail letting me know that he had a framed “Best Of” award for the Mennello Museum mural that I did. He was hosting an Orlando Food Truck Bazaar at Fashion Square Mall and he said he would have the award with him. I of course would travel any distance for such a major award. The sun had set by the time I got to the Bazaar. About 35 food trucks were circled up, like western covered wagons. The first two trucks, Firehouse BBQ and Twisted Cuban were the brightest trucks in the bazaar with flashing lights and bright red paint. I sat down in the middle of the “coral” and started sketching.

Unfortunately, by the time I was finishing the sketch, many of the food trucks were running out of food. Viveca Averstedt of “swedeDISH” food truck looked over my shoulder to admire my work. Her blue truck with yellow stripes was also running out of food and they were cleaning up. She offered me an onion and cheese pie dish. I asked, “how much.” And she offered it to me on the house. It was absolutely delicious. The crust was light and flaky and the cheese and baked onion pie was sweet and rich. It came with a side salad with a tangy vinaigrette dressing. I might be tempted to come out to the next food truck bazaar to see what else she has on the menu.

Mark Baratelli found me and gave me the award for the Mennello museum mural. He said it was a good turn out with 1,500 people stopping out during the course of the evening. These bazaars are spreading throughout Central Florida and the trend continues to grow. People love to come out on cool winter nights to sample the food and relax in lawn and camping chairs. A few days later, I saw the swedeDISH food truck parked beside Tom & Jerry’s Lounge near the Enzian. It seems quite a few food trucks park there in their off hours.

City Arts Factory

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As part of ArtsFest, City Arts Factory opened its doors for free. Actually, I’m pretty sure you can walk into City Arts Factory anytime for free anyway, but they were also offering a chance to register for a chance to win gift pack including tickets for two to SAK Comedy Lab and Jazz Brunch at the Grand Bohemian Hotel. Since I had time in the afternoon before going to Full Sail, I decided to go to City Arts to sketch. Of course the place was empty.

The hallways were lined with “Youthful Expressions” from children from the Boys and Girls Club of Central Florida. It was fun to see some of the pieces awarded red, blue and yellow ribbons, just like in a Country Fair. The work was from children in the surrounding four counties. The winners of this exhibit would move on to exhibit in the Regional South Eastern competition. Winners from that would move on to a National exhibit. I still remember the thrill I had as a child when I won a blue ribbon in a county fair in New Jersey. Any one of these kids could one day become great artists if their work is valued. Perhaps one day, I can help inspire these kids.

I decided to sit in the hallway and sketch “Orlando Guitartown” created by Munte Olinger. The large Guitar was inspired by Counting Crows and contributed to the space by Ford Keane and Jennifer Quigley. I remembered that Ford Keane is the owner of the building that houses Avalon Gallery and he is the President and CEO of City Beverages. Jennifer Quigley is Principal of WBQ Engineering. Children’s art consisted of, a bowl of spaghetti, a sea monster, and a series of colorful circles.

I was most intrigued by hand prints in cement in an indentation in the tile floor. These were hand prints of Mayor Buddy Dyer, Ford Keane and Jennifer Quigley. This must have come about when Orlando had lofty ambitions of becoming Hollywood East. A pair of pliers and some nails were placed on the cement and then the hole was filled with a piss yellow resin. The only people that entered the hall were searching for the restrooms in the back. A husband fingered his cell phone as his wife was in the bathroom.

Rite of Spring

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As part of Arts Fest, the Orlando Philharmonic Orchestra opened up the Bob Carr so anyone could see them as they rehearsed Igor Stravinski’s “Rite of Spring” as well as Beethoven’s Symphony Number 6 “Pastorale“. I sat near the front row with a view off into the deep off stage wings. During any actual performance, sound panels are set up which block a view off stage. Cole Nesmith was there with some of his friends seated one row behind me in the center of the auditorium. He looked a bit ragged and worn with exhaustion from having set up and dismantled his 20 foot high “Tree of Light”. After a heavy tree branch broke off and crashed to the ground, he is having a 3D model made and getting a structural engineer to check the tree’s stability. I admire the huge Live Oak trees I see around town now all the more. Any tree is a marvel of engineering.

Conductor Chris Wilkins introduced “Rite of Spring” to the sparse audience. He said that in the ballet, a woman danced to the music in a pagan ritual to the point of exhaustion and beyond. He wouldn’t say more since children might be present. The music war raw and primal. I had never heard it performed live and the dissonance and complexity of the piece were exhilarating and unexpected. I only knew of the music thanks to Fantasia. This is the pop cultural image of primordial creation that has been burned into our collective memory.

Most of the audience cleared out during the break after “Rite of Spring” was performed. They missed the second half of the rehearsal. I had plenty of work still to do on the sketch so I worked right through the orchestra’s break. When “Pastorale” began to play, I began splashing pools of color on my sketch. Of course “Pastorale” also was in Fantasia. This music evokes feelings of a much more peaceful time perhaps on a country estate. Walking back to my truck, the music gradually was overwhelmed by honking horns, and the rush of traffic as people hurried about downtown.