Skill Focus Strikes Back

On May 6th, Skill Focus Burlesque held a dress rehearsal, or rather an undress rehearsal for their upcoming Fringe show, “Skill Focus Strikes Back“. The rehearsal was at Dancer’s Edge Studio (7351 Aloma Ave, Winter Park, FL). A large white curtain hung in front of the stage becoming the modesty curtain for performers as they got into costume. There were still under aged dancers in the back studio so someone stood at the door blocking the view of anyone trying to glance in. Last year, Skill Focus was a last minute substitution at the Fringe and Ruby felt it was a hot mess, but this year she wanted her troupes ready for a blitzkrieg.

Skill Focus will be performing three unique shows at the Fringe this year in the green venue. Sci-Fi-A-Go-Go has characters from Star Trek, Star Wars and other intergalactic adventures. Classic Consoles features video game themed characters and Arkham Asylum has Batman characters baring it all. Ruby Darling asked all the dancers to join her in warm up exercises. Everyone stretched and practiced some kicks. Then every performer in turn got into costume to perform their routine.

The guys were up first. My favorite routine had Nekkid RoboJoe wearing so many sweaters, that he resembled that kid in his winter clothes in “A Christmas Story” who couldn’t put his arms down. He needed help getting the last sweaters on. When he began his routine, he flexed his muscles and the sweaters made him resemble a very warm Hulk. His thin black pant legs looked like burnt match sticks supporting a huge marshmallow. As he struggled to remove the sweaters one at a time, Ruby shouted out, “No triangle face!” Although it might be a struggle, she wanted it to look sensual. I was laughing till my sides hurt. It didn’t matter what was at the center of the Tootsie Pop.

Stage Kitten Miss Terri Guest helped in a Classic Consoles number holding the Pong Ball in a heated Pong match. She strutted back and forth with Vanna flair.  Suddenly she bent over in pain. At first I thought it was part of the routine but she sat beside me with tears in her eyes and Ruby asked if she could help. A stray ligament caused the pain and another stage kitten had to take her place. The show must go on. After Miss Terri recovered, she had a pointer for all the performers. She said is is much sexier to unbutton blouses and shirts from the bottom up. I’ll have to remember that the next time I unbutton a dress shirt. I tend to forget to unbutton the sleeves and end up straight jacketed until I can yank my hands loose. Definitely not sexy.

Who: Skill Focus Strikes Back

Where: Fringe, Green Venue in the Rep


When: Sci-Fi-A-Go-Go

May 16 at 11:15PM

May 21 at 8:45PM

Classic Consoles

May 18 at Midnight

May 24 at 7:15PM

Arkham Asylum

May 19 at 9:30PM

May 25 at 10:15PM

Fan Service Finale:

May 26 at 7:45PM

Tickets:  $10 + Fringe Button. 18 or older only.

39 Steps Rehearsal

Back in January at a Florida Creative’s happy hour, I first found out that Ryan Price was planning to produce a Fringe play built around “The 39 Steps” a 1915  adventure novel written by John Buchan. It was later adopted by Alfred Hitchcock in a 1935 film. Becky Lane is directing this adaptation in which every show will be improvised based on audience suggestions. In early rehearsals Becky told me that the cast did view point sessions in which the actors walked an imaginary grid and worked as a group becoming a cohesive cast.

This Invisible Frisbee Productions rehearsal was held in a Winter Garden warehouse just two days before Fringe opened. A huge ventilation fan moved the humid air. A tarp was put on the floor because in one scene there is a murder and they didn’t want the corpse to have to lie in saw dust or metal filings. In this rehearsal the cast of four went over the introduction and the sequence of events that were needed to get the audience feedback. Since I was essentially an audience of one, Becky had me fill out eight chalkboards with answers to two questions. One question was to write down a job of someone in my party that was suspicious. I’ve found people to be suspicious of artists so that was my first answer, the others that I recall were a teacher and mailman. The other question involved picking a character trait of someone in your party that they are proud of and then write down the opposite. I recall writing excitable, angry and sloth. Those chalk boards were hung on the front of the boxes and helped defined the backgrounds and personalities the characters.

My other responsibility was to hand out playing cards that each character picked to choose their roll in the comedic drama. Max Hilend, the wild card, was hilarious as a lazy sloth of an artist. He spoke slowly with little to no enthusiasm. He discussed the one painting he does a year, and even the cast was laughing, and peaking at the words that defined his character. Nadia Garzon with a red rose in her hair was funny and entertaining as a high strung excitable art teacher. I decided she had to be the lead character, Hannay, based on her hilarious performance. Megan Borkes was a disgruntled spy and in a scene with Nadia, the two played off each other wonderfully. The villain was the black bearded Christian Cheker in his black shirt and military cargo pants. To me these roles seemed predestined. It is exciting watching the scenes unfold with the even actors not knowing what would come next.

The sets were defined with the boxes rearranged in each scene as chairs as well as a table, ladder and a window on a tripod. Nadia stayed in character as Hannay and had me laughing consistently with her innocent enthusiasm and endless curiosity. I glanced over to see the director, Becky, laughing out loud as well. It was such a delight to know that this performance was unique and as an audience member, I helped mold the performances. As Hannay was entertaining the spy in her home, Max opened the window and blew a dart into the spy’s neck. That sudden murder changed Hannay’s fate, forcing her to follow through on the spy’s mission, now being accused of murder, and on the run from police and the villain who was easily identifiable because of a unique, sometimes rude feature picked by the audience.

The cast took me on an amazing playful ride while asking me to suspend disbelief and fill in what was needed with my imagination. Be sure to check out this show at Fringe, your experience will be new and completely unique. It is theater in its truest form with murder, intrigue and plenty of laughs and unexpected turns.

Where: The Pink Venue

Tickets: $11 along with your Fringe button.

When:

Thursday May 16, 2013 at 6:00PM

Saturday May 18, 2013 at 6:45PM

Sunday May 19, 2013 at 11:15AM

Tuesday May 21, 2013 at 11:15PM

Wednesday May 22, 2013 at 9:30PM

Saturday May 25, 2013 at 4:30PM

Sunday May 26, 2013 at 2:45PM

Spring Fiesta in the Park

Walking downtown on the evening of April 5th, I noticed hundreds of tents being set up around Lake Eola. At the South East Entrance I decided to sit and sketch. The next day this spot would be bustling as part of the Spring Fiesta in the Park which is an Arts and Crafts Festival. Once in a while people would stop to read the posted events on the directional compass totem pole. The ATM was ready to dispense cash for impulse buys. These sort of outdoor festivals seem to flourish in Central Florida maybe because it is warm year round.

A couple arrived with merchandise stacked up in a little red  wagon. They set up a table in the tent and over multiple trips with the red wagon they moved their wares. I couldn’t make out what they were unpacking from this distance. I didn’t notice any police in the time it took me to sketch, but if all the tents were full of crafts, there must have been police there. The Best in Show Award went to Jeff Nelson for his inlaid wood furniture. The next Fiesta is November 2nd and 3rd.

Up Beat

For Cinco de Mayo, Terry and I went to the courtyard outside Cantina Laredo. A stage was set up for “Up Beat“. The performer out front played saxophone, flute and some sort of clarinet. Oddly he seldom face the audience, preferring to face the piano player. Terry said that he must be shy. I waited the longest time before I could work him into the sketch, I never knew what he would be playing. I finally gave up and just had him singing into the microphone. When he played sax, he would get off the stage and saunter up to the tables. The orange tent across the way served tacos and there was a tent for margaritas.

The guitar player looked like Jimmy Buffet and he sang “Margarita ville.” The piano player noticed me sketching and he said, “Be sure you get my good side.” He then turned around and shook his rump. I’m not sure if he meant I should ketch that. The drummer’s girlfriend was seated behind Terry and I. She would shoot photos each time the band started a new set. The drummer, Antone Affronti, owns a frame and mat shop called Custom Framing. I got his card since I haven’t used a framing shop for a while. If I ever put on a gallery show, I’ll need lots of frames made. The frames I have made myself are getting quite beat up. He had quite a collection of drum sticks and I wondered if he would break a few, but he never did.

Some women danced to the music and I’m sure as if got later that the place would be hopping. It was a sunny yet cool day, perfect to relax and sketch in the shade. After the performance, we went to see Iron Man 3.

Cinco de Mayo

Terry wanted to go to Cantina Laredo for their Pico de Gallo. It is located in a new knot of strip mall restaurants on Sand Lake Road. This huge fiberglass replica fountain was actually spewing water. It is the first time I’ve actually seen it work. It is hard to describe how cheesy and repulsive the fountain is. If you have ever been to Italy and seen true sculpted fountains then you will find this holds no comparison. It is sort of like the Lego Land of sculpted fountains. No, I take that back, a Lego version would have far more class.

It was a beautiful crisp and cool day however and it was nice to sketch while Terry read her magazine. The chicken flour Tacos were rather tasteless but spicy hot. I had a few of Terry’s chips to try her Pico de Gallo and it was yummy.

A woman wanted me to do a portrait of her dad but there wasn’t time.

Josette Urso

Josette Urso is a Brooklyn based artist who has been invited to come down for a residency at the Maitland Art Center.  Her residency runs from April 28 through June 2nd. This residency program has been resurrected after about a 30 year hiatus. lt was part of J. Andre Smith‘s vision to bring accomplished artists to Florida where they could recharge their creative batteries. Past artists of national prominence,  who were residents here included Milton Avery, Ralston Crawford, Doris Lee, Boris Margo and Teng Chiu.

Josette offered a presentation of her work in the Germaine Marvel Building on the Maitland Art Center Campus. I was one of the first people to arrive. I had been in contact with Josette because I hoped to sketch her at work and learn about her process. This talk was a perfect way to truly meet the artist. She talks with passion and excitement about her art which is accomplished and branches in multiple directions. What was most exciting was that her work has a sense of play as she experiments in various mediums.

Some of the earliest work was collage arranged in circles. Intricate images inhabited tiny squares within the over all design. They were like Madella’s or kaleidoscopes with vibrant color. She collects UPC codes and these linear patterns adorned one of the circular motifs. The image she was working on was huge and she ran out of UPC codes. Most people go to their neighbors perhaps for a cup of sugar but she turned to her neighbors for codes.

When she showed her Urban drawings, I was inspired. One sketch was of a Bushwick building rooftop with a flock of pigeons moving as a dark mass above the building. She thought the pigeons would always be there but the coup was closed down. The drawing was done with a child’s pen she had purchased in Taiwan. The ink is beginning to fade along with the inspiring memory of the flock. She would visit other artist’s studios and sketch the amazing views.

Her paintings border on the abstract yet are grounded in direct observation. She likes to get lost in the process moving around the page and is surprised when it all lines up. One action always leads to another. Her paintings pose questions not offering just answers. Different tools inspire different images. An ink sketch can’t be erased yet an oil painting can be kept in a constant state of flux. Here in Maitland she is working plein air getting her inspirations from the gardens around the museum. She admitted that the Florida sun had tapped her energy. Someone needs to bring this woman a big straw wide brimmed hat.

On Saturday, May 11, from 10 AM to 1 PM,the Art and History Museum will hold an official Plein Air Paint Day with Josette Urso. Painters from around Central Florida are encouraged to come and create alongside Urso. Guests will discover the tools and techniques Urso uses to create her widely-collected paintings, as they enjoy the beauty of the A&H’s Maitland Art Center campus. This program is FREE and the public is encouraged to attend.

RAW Artists Orlando Presents…Marvel

On April 4th, I went to The Abbey (100 South Eola Drive, Orlando, Fl) to check out the talent at RAW Artists Orlando presents…Marvel. There was a line to get in that snaked around the corner into a parking garage.

A recording of Britt Daley‘s “One and Only” was pulsing through the room. “Awesome!” I thought. “They really are showcasing the best local talent.” However, Britt wasn’t on stage that night. Musical acts included Live Hart, Cure for Caska, and Judy Tribune. One performer who sang while I was sketching was so far off key that I cringed.

The artist that caught my eye was this body painter named Nix Herrera. He used stencils and an airbrush to create intricate lettering and designs.  It was really stunning work. The model, Sierra Missed, had a proud and regal expression the whole time. She was enjoying the attention.

Artist, Jean-Claude Rasch introduced himself.  I had met him before at one of Parker Sketch’s art critiques. I remember Jean worked on Plexiglas and the paintings would have different coloring if lit from behind. He was set up in the same spot where Parker Sketch had been set up the month before. Jean’s work had more than a passing resemblance to Parker’s work incorporating splashes and pop culture imagery.

Last time I went to a RAW event I was dressed a bit grungy, walking in with a baseball cap the bouncer reminded me to take off. This time, knowing cocktail attire was required, I wore a suit and tie. I just had to keep the tie from flopping down onto the palette. You have to be over 21 to get in and tickets were $10 in advance or $15 at the door.

Seed

Hannah Miller let me know that she would be directing a 15-minute play called “Seed” written by Danny Kessler. She invited me to a dress rehearsal at Valencia Community College – East Campus (701 N Econlockhatchee Trail, Orlando, Fl). The rehearsal was on the East Campus, in Building 1 on the 3rd floor in classroom 368. I was searching for the room number when I bumped into Sarah Lockhard in a clowns outfit. She guided me to the rehearsal space which was an empty classroom with some boxes, a bag of seed and some recycled paper bags.

“Seed” is an existential play about the end of the world, filled with Skittles, clowns, and fantastic performances from students Jasmine Lesser, Jennifer Hurless  and local actress Sarah Lockard. Sarah stepped in when a student was unable to fill the commitment. Jasmine had been rehearsing from the start. Jasmine played the seed in bunny ears and a frilly pink dress while Jennifer played a mother earth type character. Sarah narrated the play’s opening scene and later came out in a hazmat suit to clean up the stage.

This was Hannah’s first experience directing.  As she said, “I took on the challenge to learn a little bit
about a director’s perspective on text so I’d be a better playwright.
I’ve learned a lot, I think.” Hannah and Sarah talked for quite a while about Sarah’s motivations and actions in the play. She had just stepped into a roll that had been established by another student actress and she hoped to put more of herself into the part yet the performance was only days away.

In this final week of rehearsals, Jane Henson passed away. Hannah works for IBEX Puppetry run by Heather Henson, Jane’s Daughter. Besides Hannah’s own grief, her boss’s enormous
grief, and the grief of everyone she works with, she had to handle the
overwhelming outpouring of communication on IBEX Puppetry’s behalf. To say Hannah had a lot on her plate would be an understatement, but as always, the show must go on. From my perspective seeing the run through for the first time, the play flowed effortlessly. The actual performance was during a school showcase in midday of Weds., April 10th.

The Memory Room

It was back in August of 2009 when I first met Mary Hill and later, her mother Margaret Hill. Mary moved from California to take care of her mom here in Orlando. For five years she was responsible for her mother’s care. Margret’s pulmonary fibrosis and other conditions grew worse until she couldn’t get out of bed. It was around this time that I did several sketches of Margaret and interviewed her about her life. She died on December 28th of 2011.

It was a bit strange returning to Margaret’s old bedroom. The room seemed immense and empty. An old Teddy Bear sat on top of some shelves. This was won at a state fair by Duane Hill, her future husband, and it was the first present he ever gave her. In a box tied with twine and labeled “Junk”, were all the letters Duane and Margaret wrote each other when they were dating. A photo of Mary’s parents was on the wall behind her along with paintings of the Virgin Mary and Jesus. This was always a religious family. Mary’s aunt was a nun.

Mary was busy trying to sort all the family photos into cardboard bins. She was trying to decide which relatives should get which photos. It seems that Margaret took more photos of grandchildren than she did of her own children. Each of Mary’s brothers had a shelf where their stiff collared High School photos were stored. So much of the family’s true story remained hidden from the staged and posed family photos. Yet each snapshot could bring back a flood of memories, clear reminders of what truly happened.

Jett Backpack Rehearsal

On April 29th, I went to Dancer’s Edge Studio (7351 Aloma Ave, Winter Park, FL) to sketch a rehearsal for Jett Backpack and the Battle at the End of the Universe, which will appear at the upcoming Fringe Theater Festival in May. It was raining like a banshee  on the drive to the theater, but the cast trickled into the dance studio lobby one at a time at first and then in a deluge. The dance studio had mirrors on three walls and the actors performed towards the fourth wall.

Much of the action took place on an intergalactic space craft with John Bateman playing a cocky and somewhat incompetent captain with Jennifer Guhl playing his salty number 1.  The play was written by Josh Geohagen and he sat on the floor pouring over the script. At this rehearsal just two scenes were blocked with Kevin G. Becker directing. Before getting to work, the cast assembled in a circle and switched places with a point and command. Another exercise involved everyone walking the room and reciting the alphabet. If two actors said the same letter at the same time, they had to begin again at A. I’m always amazed at how a cast can pull together and become keenly aware of each other working almost like a flock.

Often the crew of the star ship would be looking at an imaginary view screen which they decided was the blue cork paneling on the wall. They all would crane their heads to look up at it. Several clones perished in gruesome ways and where whisked off to air locks. Dorothy Massey played a sultry Princess Positronic who was attracted to the captain. Trenell Mooring is sort of the face of Fringe this year since she is pictured on the Fringe poster along with her son. Her eyes are set apart wide on her face giving her an exotic chiseled look. She plays the part of an alien helmsman on the ship speaking an alien dialect. This tongue in cheek comedy was consistently hilarious. I can’t wait to see the cast in costume. Since only two scenes were rehearsed, I’m left wondering how the adventure will play out.

Where: The show will be in the yellow venue which is the Mandell Theater in the Lowndes Shakespeare Center.

How much: You need a Fringe button plus tickets are $10.

Show times:

Thu 5/16 7:30PM

Sat 5/18 9:45PM

Sun 5/19 11:15PM

Tue 5/21 7:15PM

Thurs 5/23 5:45PM

Fri 5/24 6:30PM

Sat 5/25 1:00PM