Arts Integrated Learning

Walking into the Double Tree hotel (formerly the Sonesta) downtown near Lake Lake Ivanhoe, I was greeted with the sight of the collaborative mural I did for a downtown arts district fundraiser. I was here to report on the 2011 Leadership Summit for the Florida Alliance for Arts Education. After a brief welcome and introduction in the main ballroom, the art teachers in attendance split up to attend various learning and inspirational sessions. I went to the Delaney room to listen to Eric Booth speak. I had to finish up a sketch so I entered Eric’s session a little late. I was surprised that everyone in the room was standing as Eric spoke. He then immediately had all the teachers doing pantomime. I couldn’t see anything from the back of the room so I marched down the aisle amidst the chaos and I sat next to Eric looking out at the teachers.

Eric had everyone engaged involved and excited throughout his discussion. He acknowledged the value of anything that was offered for thought. He feels most students are taught to only provide the answer a teacher is looking for. Americans hate not knowing the right answer. He encouraged asking questions that have multiple answers. What matters then is the quality or inventiveness of the answer. Students become more creative after many small successes. Reflection is something that is missing in arts education today. 80% of what you teach is who you are. Passion and really engaging with the students in new and unexpected ways is vital.

He has found that when a student creates something he truly cares about then learning becomes essential. What is taught should have real life relevance for students. He stressed that a prime role of a teacher is as a witness. Every student must be acknowledged and encouraged when they think creatively. The student then can reflect and learn something about how they best learn.

Another activity was offered where teachers were paired in groups of two. One teacher stood and they were given the assignment to convince their partner to give up their chair. The energy in the room soured. There was begging, bribing cajoling and plenty of unexpected fun. There was certainly no room for boredom. When the exercise was over he pointed to several methods that had worked in NYC. One person acted like they might vomit. Another took the seated persons purse and put it out on the sidewalk. The seat was immediately given up. Mean yet creative sometimes works.

Mystery Sketch Theater

The model at this month’s Mystery Sketch Theater called herself “Arsenic”. She talked about a body painting convention that had happened last month and it sounded like a choice sketching opportunity. When she entered the “Geek Easy” in the back of “The Comic Shop” she was carrying a tray of home made cupcakes. The red haired wig was large and cumbersome. As it shifted around on Arsenic’s head, it made her seem extremely young. The two artists next to me were comic book artists and their work had a polished look.

After finishing off a sketch of all the artists at work, I started doing isolated studies of Arsenic. Her poses were not particularly dynamic since the focus seemed to be on the costumes details rather than any one story point. I began blocking in my sketches immediately with ink. I skipped the tentative spidery pencil work I usually do and I think the sketches were stronger because of that.

There were the usual artist complaints that the drawings were not “on” or that the pose wasn’t working from their viewing angle. I don’t get bothered by the little details anymore. I was just happy she didn’t walk away. Kristen shouted loudly giving us all a one minute warning. Several artists groaned that there wasn’t enough time. I’m slowly learning to let go since sometimes an unfinished sketch has more charm and appeal than a finished piece.

The cupcakes were light and fluffy with no icing. Where else do you get to spend a relaxing evening drawing where the model offers treats? On the way out I thumbed through several graphic novels. I keep searching to see if there is an artist whose work feels like it was sketched on location. I keep toying with the idea of working with a small cast of actors who would be sketched at various locations around town to create the panels needed for a graphic novel. The huge response I got from people willing to pose for the Mennello Museum mural made me realize that my idea might not be a pipe dream.

A Comic Shop

A Comic Shop” is hidden in an innocuous strip mall on 436 just south of Aloma. It is located right next to a tattoo parlor. The shop is located right across the street from Full Sail where I work. I arrived early right from work and decided to sketch the humble strip mall architecture. After I finished my sketch I ordered some fried rice at the Chinese restaurant in the mall. The rice tasted old and I could only eat half of it. I come here once a month for “Mystery Sketch Theater” which is held in “The Geek Easy”, a lounge hidden away in the back of the shop. There was an assortment of desks and chairs scattered around the lounge.

Kristen Pauline and Adrienne Frankenfield started moving the model’s stage into place and I helped out. Adrienne had a little map that showed where to place each desk. Ten to twenty artists show up to sketch a model who is usually dressed in a comic themed outfit. This month we were sketching Arsenic Arson…

Jeans & Jewels Speakeasy

The Jeans & Jewels Speakeasy was a fundraiser put on by the Friends of the Philharmonic at the Winter Park Garden Club. An old vintage Ford Model T was parked in front of the clubhouse entrance. Terry had gone all out wearing a gold sequin dress she had borrowed from Genevieve Bernard. With her gold turban, gold high heels and long gold necklaces and brooches she was a hit. I was not half as flashy in my black suit. I sketched the band before dinner.

After dinner I decided that dancing was more important than sketching. Terry and I mixed it up with all the other flappers on the dance floor. The room was kept mysterious thanks to a theatrical fog machine. Flappers and gangsters mingled and talked. In the men’s room bullet hole stickers punctured the stalls and doorway. There was a wide assortment of silent auction items, the most tempting one being a kitsch oil painting of a monkey dressed as royalty. Many revelers thumbed their noses at prohibition.

When the band began playing again after a break, Terry lounged on the steps in front of the group like she was part of the act. A group of people got up and started shooting photos with their cell phones. Terry blocked her face with her black gloved hands but the photographers persisted. She finally had to retreat off the steps. For the rest of the night we danced to the point of exhaustion. Rainbows End played tirelessly. I recognized the saxophone player from sketches I had done at the Monday Night Jazz sessions at the Grand Bohemian. I kept wondering when police would raid the party.

Bay Hill Invitational

Once a year the Bay Hill Invitational golf tournament caused all sorts of traffic in my neighborhood. Our neighborhood association issued parking permits to residents so they can get into the neighborhood. Policemen directed traffic for people trying to get to the golf tournament. I decided to go for a walk to see what traffic was like at the golf course. The walk there and back was perhaps three miles. Glancing between the quiet suburban homes I could see that there were plenty of cars parked on the green grass of the golf course itself. Some homes charged people to park on their front lawns and they then shuttled fans to the entrance using golf carts.

I ended my walk in front of the Bay Hill Club House. It was late afternoon and there was a long line of Buses waiting to transfer fans back to their cars. I believe a large empty lot near Universal Studios was being used as the overflow parking lot. Since all the buses were blocking the street, event staff and police had to use walkie talkies to be sure that cars could go down the single lane without a head on collision.

Walking home I realized there were several spots where I could have walked on the golf course to do a sketch. It was hot however and I didn’t feel like watching grown men hit a ball with a stick.

McRae Art Studios Open House.

I went to a McRae Studios open house (904 Railroad Avenue Winter Park). This hallway in the back of the building was full of the quirky art of John Whipple. Built from odd antiques each sculpture has its own unique personality. I really like the mannequin head on a tricycle following a carrot in the foreground. Another head had a megaphone for a mouth. A peacock had a barren wire tail as it waited to roll away on it’s single roller skate.

I stood in a doorway that opened out onto the railroad tracks out back. A small gaggle of girls rushed past me periodically as they played. I joined Dina Mack who was singing as Chip Weston played guitar. Lining the walls of Chip’s studio were luminous seascapes, some large and some shockingly small painted gems. Tu Tu Tango catered the event and I ordered some Tapas. I always like visiting Larry Moore’s studio. I identify with his plein air oil paintings. He had a larger painting hanging outside his studio which was more abstract and playful. It was a hot summertime image and it really caught my eye.

Don Sondag had started a series of nighttime paintings done around Winter Park. There is a quiet mystery to these nocturnes and it made me want to get out and experiment at night. Several musicians had gathered in Lynn Whipple’s studio. They jammed for a while, then talked endlessly. From the quirky and unexpected, to the more traditional art, a trip to the McRae Studios always inspires me.

Casa Feliz

Every Sunday from noon to three there are performances by talented Orlando musicians at Casa Feliz (656 Park Avenue, Winter Park.) Angela Roark who organizes these Sunday concerts said hello and welcomed me to the Casa. I stopped in as harpist Catherine Way was tuning up her golden harp which she named Elizabeth Marie. The music ranged from “Phantom of the Opera” to “Here Comes the Sun”. Catherine is a huge fan of the Beatles and she pointed out that “Here Comes the Sun” was chosen by astronauts multiple times when they televised space missions. Elizabeth Marie had a golden peaceful tone that filled the room. There were perhaps six rows of chairs set up and quite a few people showed up to enjoy the music. If you ever find yourself exploring Park Avenue on a Sunday, I would certainly make sure to stop in at Casa Feliz for a taste of old Florida history and music.

As I finished my sketch I remembered that Terry was at home being a weekend warrior and pulling weeds in the hot Florida sunshine. Feeling a bit guilty I quickly packed up my supplies. Catherine wanted to see the sketch and then she shared it with the audience. Several people asked me for the name of the blog so then could type it into their cell phones or make a note on a scrap of paper. I never seem to have business cards when I need them. I pass them out faster than I can print them.

Lousy T-shirt

The theme for an art exhibit at Orlando Museum of Art’s 1st Thursdays event was “Fashionista.” In the beginning of 2010 Brian Feldman had met with 10 Orlando artists to discuss collaborations in his “Swan Boat Talks.” This project with Johannah O’Donnell was the first project to be realized from those talks. Johannah and Brian had created 20 T-Shirts that read, Lousy T-shirt using a simple silk screen press. This was the first time that either of them had done silk screen printing so the printing was a bit spotty in places.

People could get a Lousy T-Shirt if they traded in the shirt they were wearing. I went into the men’s room, changed into one of my paint rag T-shirts and traded that for the fashionable black Lousy T-Shirt. I didn’t step behind gallery wall to do the exchange. As I removed my shirt Brian said, “Hey everybody, this is your opportunity to see Thor half naked!” Once I had on my brand spanking new T-shirt, I found a spot to sit and started sketching. Brian and Johannah were constantly posing for pictures. By the end of the evening, every Lousy T-Shirt had been given away and the rack was full of a wide variety of shirts and tops.

Ellie Watts-Russell

I went to visit the Kerouac House writer in residence, Ellie Watts-Russell, on a warm sunny afternoon. When she writes she cuts herself off from all distractions. The cell phone is turned off the night before and the computer is off to avoid the distraction of Facebook. She was getting close to the end of the novel she was working on, entitled “The Lodge”, and and she didn’t want to rush to the finish line. Usually when she writes she shares her work with another writer to get his opinion while she reads his work. Since she was working alone at the Kerouac House she spends more time proof reading her work. This is what she was doing when I joined her on the porch to sketch.
Born in 1979, Ellie is a graduate of Andrew Motion’s Creative Writing course at Royal Holloway. In 2006 she was appointed Writer-In-Residence at HMP Ashwell, an all male prison in Rutland. She speaks with a charming British accent. A petite hummingbird necklace adorned her neck. We sat quietly for more than an hour as she worked. Her Oxford dictionary and thesaurus were on hand and she occasionally consulted with them. Her Moleskin notebook seemed to bulge at the seems. Her keys, attached to a mountain climbers clasp were partially tucked into her notebook. The glass of ice water sweated as she worked. I can’t wait till “The Lodge” hits book stores.

Denna Beena’s Wedding dress

Denna Beena is engaged to Travis Fillmen. The wedding is being planned for fall of 2012. Amanda Chadwick arranged for Deena to try on wedding dresses. Now Deena isn’t someone who I would consider to have conservative tastes. Her hair is bright pink with purple and yellow highlights. I am more used to Deena wearing bright colors and black leather boots.

I got lost trying to find the Bridal shop. I thought it was in the Millenia Mall but Amanda texted me to let me know it was in a strip mall near a Super Target. Deena had already tried on a dress as I scrambled to find the place.

The Bridal shop was a flurry of activity. Tony Bennet crooned. I walked past row after row of white dresses toward the back of the store, then Amanda flagged me down. Deena was inside the dressing room. When she came out she was wearing this simple elegant dress with a brown sash around the waist. She liked it but wasn’t sure it was “the one.” The shop only allowed the future brides four dresses to try on. The dressing rooms had to be booked in advance. After four tries Deena had not found the perfect dress. This was a major step forward towards making the dream wedding a reality. Amanda offered some advice but was mostly there for moral support.

At lunch afterwards we had a long discussion about whether I should post this sketch. After all Travis shouldn’t see his blushing bride in the dress until the wedding day. It was decided that since this wasn’t “the” dress, it would be alright to post it.