Boycott SeaWorld

Recently I saw the documentary film Blackfish at the Enzian Theater (300 S Orlando Ave, Maitland, FL). The film is about Tilikum, (Tilly), a killer whale who killed a SeaWorld trainer several years ago. The film opens with the 911 call to retrieve the body.  Tilly was captured in the wild. The killer whale pod split in two with the females and children going up one estuary while the males went another way avert the pursuing boats. Spotter planes however redirected the pursuit. In a horrible west coast floating sea park called Sea Land of the Pacific, Tilly had to spend each evening in a cramped pitch black holding module 20 feet deep and 28 feet in diameter with two adult killer whales who attacked him every night. Each morning he had new bloody wounds. Tilly attacked and killed a handler named Keltie Byrne at that park in 1991.

When that sea park folded,  Sea World Orlando purchased Tilly on January 9th of 1992 because they didn’t have a male killer whale. Tilly was responsive and bright but his dorsal fin was misshapen, sagging sadly to the side. This never seen in the wild. It is not unusual for animals in circuses, zoos, traveling exhibits, and
amusement parks to injure or kill trainers. On July 6th 1999, Daniel P. Dukes a park patron hid and stayed in the Orlando SeaWorld park overnight. He had the brilliant idea to swim in Tilly’s enclosure. The next morning they found his nude dead body, on Tilly’s back as the killer whale did laps in his tiny cement pool. An autopsy of the body found multiple wounds, contusions, and abrasions,
and concluded he may have died from hypothermia and drowning. It also
noted “laceration and avulsion of the scrotum and testes”. In other words, his nuts were chewed off.

On February 24, 2010 Tilly killed the lead SeaWorld trainer Dawn Brancheau. Sea World put a spin on the story released to the media,
blaming the Dawn, because she had a pony tail
that may have gotten caught in Tilikum’s teeth, stating further that the
trainer’s hair may have also been confused for a toy or a fish because Dawn had been holding a fish previously and may have touched her
hair afterwards, leaving the scent. SeaWorld would be innocent, if the trainer was seen to be at fault in the eye of public opinion. Video shows Tilly
dragging dawn by the arm. According to the six-page  autopsy report, Dawn’s left arm and part of her
scalp were ripped off, she suffered spinal cord injuries, her ribs were
broken, as were bones in her legs, arms, and face, she had bruises and
cuts all over her body, and, ultimately, she was drowned.

Other SeaWorld trainers realized that they could be next, so they went on camera for the Blackfish documentary. One reason Tilly is still in captivity is because his sperm is needed to impregnate the female killer whales. 21 killer whales calves have been born in captivity using his sperm. He is actually masturbated by trainers rather than breed naturally. which violates the court order to keep trainers fron having contact with the killer whale.

Tilikum returned to performing on March 30, 2011 using his fluke everyday to soak the crowds of spectators who pay to see him swim in the tight enclosure. After every performance he is sent to solitary confinement. In the wild his dorsal fin would stand erect as it sliced through open water. He could be part of a social pod that hunted together. These aren’t cute plush toys to be exploited. They are killer whales that are majestic in the wild. They may follow orders from their captives to survive captivity but you can only push a killer whale so far before they snap. Any killer whale in captivity has psychological scars. People still pay, perhaps hoping to see the next one snap. Trainers are expendable but a killer whale is a gold mine.

On September 15th, over 50 people showed up for this demonstration standing in the blazing sun in front of the Sea World entrance to dissuade people from going inside. Unfortunately the park had been open for several hours so traffic was on the light side. Passers by honked in support. Others shouted out in anger that they would spend their money as they pleased.

PETA’s 5 Reasons to Boycott SeaWorld…

  1. Twenty-four dead killer whales – and counting. Of the 24 killer whales who have died at SeaWorld since 1986, not one died of old age. Many of their deaths were caused by captivity-induced illnesses.
  2. Life in a bathtub
    drains marine mammals’ spirits. Forcing animals who naturally travel up
    to 100 miles a day in the open ocean to swim in continuous circles in
    tiny, barren concrete tanks causes stress-related behaviors, including
    suicide.
  3. SeaWorld tears families apart.
    In the wild, dolphins spend their entire lives in a pod with their
    mothers and sisters. Capturing even one dolphin disrupts the entire pod.
    Dolphins born in captivity are often taken away from their loved ones
    and shipped to other facilities.
  4. Frustrated animals are dangerous to people.
    Aside from the trainers killed by angry captive whales, the USDA has
    cited SeaWorld for several instances in which dolphins injured people in
    its swim-with-the-dolphins program.
  5. If you don’t support the jailing of innocent people, you shouldn’t
    support SeaWorld. Scientists at Emory University mapped the brains of
    dolphins and concluded that they are second only to humans in intelligence.
    Captivity is as hard on these sensitive animals as it is on people, but
    the dolphins are being punished without having committed a crime.

Orlando Museum of Art

On September 8th, I went to the Orlando Museum of Art (2416 North Mills Ave
Orlando, Fl
) to see Tall Tales and Huge Hearts: Raúl Colón a show of Children’s book illustrations.  Raúl Colón,is a popular award-winning
artist who has illustrated more than 30 books for children. Colón
created the art for a number of acclaimed picture books, including Doña Flor: A Tall Tale About a Giant Woman with a Great Big Heart by Pat Mora, which won the prestigious Pura Belpré Medal; My Mama Had A Dancing Heart by Libba Moore Gray; and José! Born to Dance: The Story of José Limon by Susanna Reich, winner of the Tomas Rivera Mexican-American Children’s Book Award. Raul’s illustrations are, tightly rendered using watercolor and colored pencils. He then
rakes the image giving each image a swirling surreal feel. The artwork was hung low on the wall so kids could see his work at eye level. Arranged chronologically, it was interesting to see his style evolve from early watercolors to the much tighter later work. Mark your Calendar! This show in on view through November 3rd. During the first weekend of every month Bank of America and Merrill Lynch card holders receive free gallery admission. Otherwise, admission for adults is $8.

Also on display was the Contemporary American Graphics Collection which includes more than 150 original, signed and numbered
lithographs, etchings, silk-screen prints and woodcuts by America’s
foremost artists. It is one of the most comprehensive 20th-century
contemporary print collections in Florida. The works vary from realism
to abstraction, reflecting a variety of techniques and styles that
emerged from the revolution in fine art printing that has occurred in
the last 55 years. Artists represented in this collection include Andy
Warhol
, Robert Rauschenberg, Ed Ruscha, Bryan Hunt, Lesley Dill,
Katherine Bowling, and many other American masters. One piece that particularly impressed me was a huge portrait of Leslie done by Chuck Close using just his finger prints.

Berto Ortega Studio

On August 2nd,  I visited the studio of Berto Ortega at Faith Arts Village Orlando (FAVO) at (221 E. Colonial Dr., Orlando, Florida).  We had a long talk about blogging and marketing artwork by using social media. Berto is the one artist who uses the studio in the former motel full time. Most other artists just come to the market once a month to sell their work and then leave that same night. This was also the one room where the air conditioner worked making it a studio that you would want to linger in since the other studios didn’t have air conditioning. He invited me to sketch from inside his studio but I decided to sketch from the balcony outside.

Berto asked friends what was the most beautiful place that they had ever painted. There was some agreement that the Grand Tetons out in Wyoming were gorgeous.  After finishing several painting commissions, he put notes on the paintings, left wet paint on the palette, packed supplies in his pickup truck and headed west to the Grand Tetons.  He did several paintings of the majestic mountain range when he got there. I once bicycled through the Grand Tetons. On that trip I decided to throw away the sketchbook I had at the time feeling ill suited as a student fresh out of art school to capture such beauty.

A September 10th a Jackson Hole newspaper reported, “Grand Teton National Park rangers discovered the body of a 55 year-old
Winter Park, Florida man Monday morning.  Alberto Ortega’s body was
discovered at Windy Point turnout on the Teton Park Road; apparently the
victim of a self-inflicted gunshot to his head. Rangers are conducting
an investigation into what appears to be a suicide and an isolated
event.  Park Spokesperson Jackie Skaggs says rangers responded at 6:15
am Monday September 9th to a 911 call from passersby when they came upon the
unconscious man lying on the ground next to his Toyota pickup truck.
Upon arrival, rangers found Ortega already deceased from a head wound
and a semi-automatic pistol next to his body. A note left by Ortega was
also located at the scene.”

This is the second time I have had to report on an Orlando artist taking their own life. This news was gut wrenching since Berto is an artist whose art I admired. Will Benton who runs FAVO allowed me to sketch the artist’s studio. A rough cross which was painted white with artist brushes, vines and a tear shaped jewel was mounted on the studio door. Inside, his paintings filled the walls. One painting of a small skiff or life boat pitched in the high seas. In the distance a sign of hope, a large schooner was shrouded in orange ocher mist.

A large portrait was left for Will Benton. It was a portrait of a man that once saved Berto’s life. He and a woman were working in a store which was held up by an armed gunman. The husband of the woman grew worried when she didn’t return home. He went to the store and managed to save Berto and the woman’s life. It is a large painting, stoic and resolved. A note written by Berto was taped to the back of the painting. “Will, to say I’m sorry for all this is furtive, but I’ll say it anyway. There have been few people who have extended themselves to me like you have, and I really like you like a brother for that. I can’t say enough how I have always appreciated you.” I searched the rest of the note, hoping to find some hint of WHY? There were no signs to explain the tragedy. All that remains is an emptiness. A lone chair sat in the corner of the once active artist’s studio.

“When I have a terrible need of – shall I say the word – religion. Then I go out and paint the stars.”

– Vincent Van Gogh

Weekend Top 6 Picks

Weekend Top 6 Picks

Saturday October 12, 2013

6pm to 8pm Caroline Kole Concert. Free. Leesburg Towne Square 501 W Main Street Leesburg FL. Outdoor concert, bring lawn chairs.

3pm to 10pm 2013 ZombieFest: RESURRECTION. Free Downtown
Lakeland. The “ Outbreak Wristbands” will get you  great discounts at
various Retail, restaurants and bars around Downtown Lakeland, in
addition to special perks during Zombiefest.  Wristbands are $15 and
will be sold during the event.

7pm to 9pm  Book Party and Launch: I Will Meet You at the River. Free. Quantum Leap Winery (1312 Wilfred Dr  Orlando, FL).  Come hear Suzannah Gilman read selected poems at the long-anticipated launch of my first chapbook of poetry. Of course, no book launch is complete without wine, so there will be plenty.

Sunday October 13, 2013

10am to 6pm Fashion Square Art Fair. Free. PREMIERE EVENT!! Starting October 13, 2013 on the 2nd Sunday of every month Gallery Fresh Art Markets and Orlando Fashion Square Mall proudly present our “Fashion Square Art Fair.” This is an indoor event showcasing 30 to 60 artists and fine crafts persons located throughout Fashion Square Mall.

1pm to 3pm Film Slam. $5 Enzian Theater 1300 S Orlando Ave  Maitland, FL. Originally a project of University of Central Florida’s Downtown Media Arts Center, Enzian became the home of FilmSlam when DMAC closed in 2006. Now in its fifth year at Enzian, FilmSlam continues to be a popular outlet for indie and student filmmakers throughout the State of Florida. FilmSlam will usually be held on the second Sunday of each month at 1PM at Enzian.

9pm to 11pm Comedy Open Mic. Free. Austin’s Coffee (929 W Fairbanks Ave Winter Park, FL). Free comedy show! Come out & laugh, or give it a try yourself.

The Hub

On September 18th, I went to the Full Sail building 2 lobby (3300 University Boulevard, Winter Park, Fl) for the return of The HUB (a.k.a. the Digital Arts and Design Gallery). Every other month this space will present a new selection of work by students and faculty. Each showcase will follow a theme. The first exhibition featured art and design inspired by music. All media/styles are welcome. Kim Lomas organized the event and I submitted a sketch of the Brad Catron Quartet. Rather than get the sketch framed, Kim gave me the option of displaying the sketch digitally on a computer screen. I liked the idea of displaying my analog art digitally.

The goal is to showcase projects from every department at Full Sail to demonstrate the rich variety of media, styles, and formats used. A committee of instructors choose the award for the best faculty work, and a committee of students choose the award for the best student work. Thankfully, I missed any award ceremony or speeches.

Faculty had quite a bit of work on display. Hugo Giraud had a painting of “The First Lady of Soul (Ella)” and a painting of “Dizzy G”. Leslie Silvia had one of her black paper cut outs (Scherenschnitte) titled “Sparrows and Nightingales.” Leslie joked with me as I sketched, saying, “We don’t allow sketching in here.” It is an ongoing joke among friends that I am so often kicked out of events for sketching. Tony Philippou had paintings of “Bigge”, “Andre 300”, and “Cee-loo”. A student whose work caught my eye was Tyler Christmas who had a painting done on acetate, of a human ribcage with a blue crab on top called “The Protector”. I noticed Tom Buzbee and his daughter, Avaryl in the reception crowd, but he wasn’t exhibiting any of his large abstract works. I had gotten to the reception late and so, I was still working on the sketch long after everyone had left for home.

Lake Eola Sunset

On August 28th I found myself downtown with several hours to spare before going to an artist paint out in front of Loft 55 Gallery and Boutique (55 West Church Street, suite 114, Orlando, Fl). Walking around Lake Eola I was struck by the amazing sunset and decided to do a straight forward landscape sketch. I avoided line much of the time trying to just capture the play of warm and cool colors in the sky and on the buildings. The city has invested in brand new swan peddle boats which must have cost a fortune. Joggers and people walking their dogs circled the lake.

There were several other events I could have been sketching, like an Urban ReThink Town hall meeting and a Social Media Club Meeting.  Sadly, Urban ReThink has had to close its doors, but It will be returning in a new form at the recently refurbished Cameo Theater (1013 E Colonial Drive Orlando, FL). I was playing hookie. It felt good to slow down and take in the sunset.

Robert Ross Studio #7

The Art and History Museums of Maitland (A&H) offers an Artist-in-Action (AIA) program that reflects the spirit of founder J. André Smith’s Research Studio and the current mission of the institution. This program provides non-residential studio space to an established or emerging artist for the professional practice and research of fine art. This program is an exciting opportunity to interact with A&H’s community of artists and art enthusiasts while working in this uniquely rich and historic environment.

A fixture at the institution for many years, the A&H’s acclaimed Artist-in-Action program takes place at the A&H’s historic Maitland Art Center (originally André Smith’s Research Studio). In Smith’s day, famous artists were invited to live and work at the Research Studio in the winter months, including luminaries Milton Avery and Ralston Crawford. In the recent past, a number of very well-known artists occupied the studios in a non-resident capacity, including the late Anita Wooten, Barbara Tiffany, and Ellie Diez-Massaro.

On September 12th I went to visit Robert Ross one of the 2013 Artists in Action. I got to the studio a bit early, so I considered doing a quick study of the Maitland Art Center’s central courtyard.  Unfortunately that sketch was interrupted by a lawn jockey who entered the courtyard with a lawn mower. He isn’t permitted to mow a lawn with anyone within 50 feet of him because flying debris could cause injury. He asked me to leave and I erased what I had started. Robert arrived as I exited the courtyard.

His studio doesn’t have any windows, but the bathroom window lets light in when the door is left open. A large tree branch was hung on one wall and Robert was working on a life sized sketch which was pinned to the wall directly below the branch. He decided to work on a still life with a cup, jar and seed pod. He quickly assembled his field paint easel. A warm spot light was set up to illuminate his scene. Robert’s paintings  have been exhibited in a growing number of venues in Central Florida. He also maintains a studio at McRae Art Studios in Winter Park. He worked quickly on his painting and I tried to maintain the same energy with my sketch by avoiding line in favor of value and color. Robert is a retired graphic designer and he loves the ability to pursue painting full time. He plans to take part in the Winter Park Sidewalk Art Festival where he can see which pieces sell. He doesn’t want to get caught up in chasing the market. I admire Robert’s work which is a blend between Edward Hopper and Fairfield Porter.  Many of his pieces show lonely, empty spaces between structures.

Recently he has been doing large painting based on sketches from sketchbooks. He likes having control over color and form which he can experiment with not feeling the need to slavishly recreate every detail. Watching him work made me itch to start attacking large canvases myself.

Move It or Loose It

On Saturday September 14th there was a rally for The Capen House in Winter Park’s Central Park, adjacent to the rose garden. The citizens responsibly for trying to save the Capen house have a short window to make this happen, and they need the community behind this effort.This is a BIG , monumental,task  to move a home built in 1885 across Lake Osceola to the grounds of the Albin Polasek Museum and Gardens where it can be enjoyed by Winter Park residents and visitors for years to come! 

As of the date of the rally, $200,000 had been raised towards the project. An additional $450,000 would need to be raised by the end of November to save the house from demolition and reserve the contractors for the move. The house will have to be cut in half and then the parts will be floated across the lake on barges. The committee is hoping that the actual transport would happen on December 14th to coincide with the Winter Park Boat Parade.

In the tent, past Winter Park mayors voiced their support for the project. If funds aren’t raised, then the home will face demolition as it is replaced with a much larger McMansion. If it finds it’s way to the Polasec, it will be used for celebrations like wedding receptions and community fundraisers. It would become a place of celebration for many future generations. Relocating the Capen House to the Museum property is a mutually
beneficial solution for the current owners, Winter Park residents, and
the greater Central Florida community,” says Debbie Komanski, Executive
Director of The Polasek. The Polasek Museum property, with a sweeping
lawn to the water, can easily accommodate the 6,000 sq. ft. house which
will be used for public events and education offices for the Museum.
Moving the home by barge, not an unusual event in Florida simplifies the
relocation effort and significantly reduces project costs.

A small model of the home floated in a small plastic pool. Kids were encouraged to save the home by scooping up small balls with a net. Kids won prizes for scooping up the most balls. The Winter Park Owl wandered around like a Disney theme park character. He leaned over a small girl in a stroller and she began to cry. Orange infused water parched hot lips. The speeches continued and the homes future still remains uncertain.

DiVerse Word

On September 10th I went to Dandelion Communitea Cafe for DiVerse Word hosted by Shawn Welcome. DiVerse Word is a weekly spoken word and poetry event that has been going strong for seven years. Three random individuals in the audience are picked to be judges. They score between one and ten with decimal points for subtlety. The competition begins at 8pm and goes till 10pm.

Sasha recited a poem about the excitement of the touch of a hand. Robbie Ramirez spoke of Star Wars. Tyler Conradi gave an astonishing performance of his poem “I Am” that had a dark Max Ginsberg universal reach. Tyler got my vote for the best poem of the evening. A police helicopter hoovered over the neighborhood with it’s spotlight blazing. Periodically the search light would flash over the crowd gathered in front of Dandelion and people would wave to the night sky. Shawn Welcome joked that we should all scatter the next time the spot light illuminated the crowd. Someone stated that when a chopper was in the air, there would also be a K9 dog unit searching on the ground. He wondered out loud what he would do if a criminal ran down the street in front of Dandelion. It would be best to let the police do their jobs.

Curtis Meyer closed out the night with his usual flair. Everyone was asked to share something they haa learned. Tim spoke of the long journey he and his wife took in their 40 years of marriage. They went from knowing EVERYTHING at age 21 to knowing NOTHING at age 61. Shawn closed out the evening with his salutation, “Peace, Love and Poetry”. As I walked to my car I saw two young poets kissing in the shadows of the building beside Dandelion. They were faintly illuminated in the setting moonlight. One shouted out “Good night Thor!” I smiled, and shouted back, “Good Night!”

Mark your calendar! DiVerse Word is every Tuesday at Dandelion Community Cafe (618 North Thornton Ave. Orlando FL) starting at 8pm. Share your thoughts or just listen and learn.

Ting Pagoda

In 1987 Mayor Bill Frederick added the pagoda style gazebo from Shanghai to Lake Eola park. The gazebo is 18 feet acres and 30 feet high, built by Nelson Ying who ran the China pavilion at Epcot. Ying also organized a trip for the mayor to China. Although the structure resembles a pagoda, it isn’t an official pagoda because it doesn’t have a second story. The total cost to add this structure to the park was $100,000. The pagoda hides a pollution control device in the lake.

The pagoda was fenced off when I sketched it because it was being pressure washed and wood was being repaired.  The pagoda was then repainted and new LED lights were installed for night time viewing. All of the storm water in downtown Orlando drains into Lake Eola where it is treated and pollution filtered.

A group of joggers gathered on the benches around me. It should be noted that the benches were designed to be too small for transients to sleep in them. One joggers chronometer showed that he was running 5 minute miles but he had only been jogging at a relaxed pace. The application must have just wanted him to feel good about his performance.