I have been helping Stella Arbelaez with several large art projects. After a day of working in the studio, we went for dinner and a sketch at Olive Garden (10027 US Highway 441 Leesburg Fl). She had a coupon for a free dinner from years ago. She wasn’t sure it would work, but it was still valid. We ordered a big salad and pasta and then we both started to sketch while we waited for the food to come out. The menus on the tables were electronic. The displays flickered with adds constantly. I am amazed at how digital displays are invading even the simple act of going out to eat.
I focused on the group of diners seated next to us, while Stella did a sketch of me. Her sketch turned out rather good. It is one of the better sketches of me with my 75th Infantry cap and my beard. There must have been about 5 different servers who stopped by the table. One was an artist himself who was attending college. The fellow who brought out the food would respond with “I got you” for any request. He said it to everyone in our section of the restaurant. I find myself saying it now in a joking way anytime someone makes a request.
There is something truly rewarding and relaxing about sketching with another artist. being around another artist you know they understand the struggle to create. A sketch isn’t easy, It is often a compilation of mistakes which hopefully is believable in the end. There might be two steps forward and then a step back. It is simply reassuring that sketching around another artist there is no expectation of perfection. As she put it, there is no need to act like a “normie’. We could just relax and be ourselves as we created. For me there is always a feeling that I need to capture the moment with a sketch. In a restaurant there is a certain rush to try and block in the sketch before the food comes out. In Europe, especially Paris, many people will linger over a meal and watch the world go by, but in America there is a rush to get people served and out the door as quickly as possible.
I have gotten used to eating out alone, because that way I can always get a sketch done. It is a rare pleasure to share the experience with someone else.

I have been staying in an AirBnB in Thornton Park Orlando Florida for the past week. It has been wonderful to be able to walk to venues each day to sketch. One of the first places I wanted to sketch was at Stardust Video and Coffee. At this coffee house, Doug Rhodehamel has been assembling a magnificent display of brightly colored cardboard fish in honor of a dear friend David Plotkin.
I went to Venetian Gardens in Leesburg Florida with a friend to paint. We made the mistake of getting to the gardens right before sunset. The golden hour light illuminated the far shore of the lake a golden orange. Two fishermen were out in small boats pulling in the last of their catch. It was a beautiful scene but we had to work supe fast to try and catch it.
I went to Howie in the Hills to sketch a small town Christmas Festival. I fell on love with a home in Howie in the Hills which looked like a
Stella Arbeláez Tascón has wanted to build a large puppet for some time. When she found out that a No Kings Protest was being staged nation wide, and in Orlando Florida, she decided it was time to build a 14 foot tall puppet of Donald Trump as a Jailbird in Chief. Such large puppets are often build in Europe but it is a tradition that has not yet taken root in America. I became Stella’s studio assistant to help bring this behemoth to life.
In an attempt to locate arts events in Lake County, I found out that Brooklyn Pizza has live music on Thursday nights. Stella Arbelaez agreed to stop out for the sketch opportunity. It is always fun to sketch with another artist. When we got to Brooklyn Pizza on highway 27, we f0und out that there was no live music. The website had been wrong, or rather misleading. Live music was a rare occurrence. It is more likely to happen in the summer months rather than leading up to the Christmas holidays.
From the home I was c0nsidering buying pn F0rest Avenue, I walked up Bumby to the Plaza Live Theater. I havnt sketched at the Plaza Live since before Christina Grimmie was shot by a fan on the evening before the Pulse Nightclub Massacre that took 49 lives. There was a long line t0 get through security to get into the event which was staged in the Plaza Live parking lot. I stood in the block long line that made its way to a huge inflatable cow. The cow makes sense since the Plaza Live theater is in the Milk District. Officers checked peoples bags as they moved through the belly of the beast. Just as I exited the butt, it started to rain. I ran to some cover near the theater and considered sketching the security check point but the driving rain would have soaked my sketch page.
I was called in to do a courtroom sketch in the case of the United States vs, Christopher Delgado of Goliath Ventures at the Orlando Federal Courthouse. Christopher Delgado stands accused of building a $300 million dollar Ponzi scheme that bilked thousands people out of millions of dollars. The scheme was paying off for Delgado who bought himself fancy cars a milti-million dollar Winter Park home and fancy jewelry.
I was giving serious consideration to buying a property on Forest Avenue in the Audubon Park district of Orlando. After walking the home and taking measurements, I decided to then walk the neighborhood. Several blocks away was North Bumby Avenue. I walked towards the Plaza Live Theater. Within a block I ran into this Christmas market set up in a parking lot. I decided to just sit down and sketch. This is exactly the type of event I tend to seek out and sketch anyway.
The third master’s student I sketched was Anna Vic Webb at the UCF Art Gallery (