Valence explores the psycology of touch through dance.

I thought I had sketched every dance company in town, but Explore Theatre and Dance Company from Winter Park presenting Valence at this year’s Orlando International Fringe Festival was new on my radar. The show began with the entire line of dancers walking in slow motion towards the audience, then an elegant and solidly built female dancer pivoted at a 90 degree angle to the stage grid. What followed was dancers balancing and supporting each other in a slow abstract choreography. Bonds seemed to form and then break apart.

Between scenes audio recordings would showcase a dancers insecurities, doubts and accomplishments. I kind of dreaded these audio prologues since I couldn’t sketch in the dark and I didn’t have anything for my hungry eyes to soak in. When the lights came up, each dance was fluid and focused on relationships and isolation. It seems like isolation always won in the end. I loved that not all the dancers where thin. Every imaginable body shape and size moves in fluid elegant ways. Even the dance company’s founder,  Chris Gonzalez, is a solid brick of a man who is willing to experiment and take chances. I love sketching dance despite the challenges, so I was a kid in a candy shop. You might notice that sitting in an audience is not my MO. I like being on the outside looking in, a voyeur to the whole theatrical experience. Perhaps that is why I identify with the theme of isolation in the show.

Remaining Show Times:

Thursday May 21  7:00pm

Thursday May 24, 7:00pm

Run Time:

60 minutes

Venue: 

Red  (behind the Shakes, 2nd floor)

Rating:

13+

Tickets: $7 (+ service charge)

Janice Joplin brings her amazing voice to the Fringe.

Andy Matchett the show’s author and director invited me to a dress rehearsal for Janice Joplin, Little Girl BIue starring Kaleigh Baker.  The rehearsal was in Castle Door Recording Studio on Kentucky Avenue in Winter Park. This was the perfect setting for this show. From the moment I entered the recording studio, I felt like I had stepped back into the 60s.

 As I approached the sound studio on foot, I saw costume designer Sara Grey struggling to push a tall rack of 60’s outfits towards the entrance. The wheels caught on every bump in the pavement causing her to have to pause every few feet to lift the rack up. Because of her I knew I was in the right place. I helped her get the costumes through the door. It turns out that Kaleigh and a band member had to perform at the Fringe opening ceremonies that night, so that gave Sara an hour to hand out costumes and make any adjustments. When Andy arrived, he offered me a Yuengling  before the rehearsal started and I felt the
thrill of being in a recording studio with so much raw talent. I had
sketched Kaleigh Baker before at smokey dives like Tanquerey’s downtown and I knew that she is the one person who could sing like Janice.

The show presents an in-depth and passionate
look at the life, music and untimely death of one of Music’s greatest
icons: Janis Joplin. Baker swells in volume as she moves from a solo
rendition of “What Good Can Drinkin Do?” to an explosive 8 piece band
backing her on hits like “Peace of My Heart” and “Get It While You Can“. Laura Joplin (Amanda Warren) sat and spoke about her sister Janice. She painted a picture of Janice as a child that never fit in who was bullied and harassed by fellow students. There was a hint of envy in her words and I loved that Janice had overcome her past and her music helped her soar.

The scene that I saw rehearsed several times involved Jimmy Hendrix (Pascal Sacleux) taking the place of one of the guitarists on stage (Jeff Nolan).  In shock the guitarist walks off stage. The following instrumental performance blew the roof off. Hendrix exuded confidence and he made love to Janice with his guitar with wild abandon. By the end of the performance he lay the guitar on the ground and caressed its strings like an out of control lover. After one performance in which Janice sang her heart out, a band member shouted out “I don’t know what that was, but it was out of control!” “Damn right!” I thought. “That was absolute wild magic!” I thought the scene had ended and I laughed and shouted in delight. The scene hadn’t ended I had forgotten this was a rehearsal. For a moment I was in the studio with the real Janice Joplin and I wanted her to burn bright. I loved how she could let go.

Magic happened in the studio that night. Janice Joplin will blow your mind at this year’s Fringe Festival.

Venue: Gold (in the Orlando Museum of Art)

Length: 60 minutes

Rating: 18 and up 

Remaining shows:

May 19  8:15pm to 9:15pm

May 22  10:00pm to 11:00pm

May 23  10:00pm to 11:00pm

May 24  4:20pm to 5:20pm

Tickets: $11 (+service. Charge)

Anne Frankenstein strikes the Orlando Fringe like lightening.

Anne Frankenstein written by Michael Knight and directed by Adam McCabe melds the worlds of horror and 70’s grind house films. In the opening scene Dr. Sylva Steffel, (Meghan Mitchell) harnessed the power of a lightning storm to re-animate the dead body of Anne Frankenstein (Lauren Culiver). The theater lights flickered and sparked as the body twitched and then slowly sat upright. Anne was killed by Nazis in a concentration camp but she and her sister were put on ice. Anne was re-assembled using some of her sister’s body parts.

Anne was brought back to life to be a super human Nazi killing machine much like the vengeful female protagonist in “Kill Bill.” The “Igor” in this tale (Rob Mobley) explains to Anne how he helped re-build her. He shows Anne her printed diaries and she is shocked to find out millions of people have read her words. She vows to kill every living Neo-Nazi.

Heinrich Von Arschloch  (Michael Mikanite Knight) is the leader intent on finishing Hitler’s work. He incites his thugs by telling them simplistic lies about how Jews are running America. At the heart of this insane lie is Einstein Bagels. Heinrich’s daughter Pamela (Danielle Miller) is as evil if not more evil than her father. Her weapon of choice is a cinder block at the end of a bat that creates a hammer that even Thor might envy.

Anne quickly kills the Neo-Nazi thugs that are torturing an Einstein Bagels costumer.  To get to Heinrich Von Arschloch however she has to battle the imposing Pamela. The play moves at s thrilling pace. The single set piece rotates between the Neo-Nazi den and the Doctor’s laboratory for quick efficient scene changes. The tech rehearsal I sat in had many stops and starts to adjust lighting cues and sound effects. I do suspect that Anne Frankenstein will  have long lines of ticket holders waiting to see the carnage. Believe the buzz. It’s Alive!

REMAINING SHOW TIMES:
Sunday, 5/17- 10:00pm
Saturday, 5/23- 10:00pm
Sunday, 5/24- 6:00pm

LOCATION:
The Orange Venue (Margeson Theater)
Orlando Shakespeare Theater
812 E Rollins St,
Orlando, FL 32803

TICKETS are $10 w/ Orlando Fringe Button
($2 off with legal proof of Jewish heritage!)

Lay Ms parodies Le Miserables set in the swinging 60s.

Lay Ms written by Paul C Tugwell and lyrics by Brian Rewis used the songs from Les Miserables and changed the lyrics to tell the story of BDSM, porn and gay rights in the 60s. It followed the story of a young girl who decided she needed the money that a strip club could offer. The club lead to her downfall but her child found a protector. Trying to compress the plot of the epic Les Miserables into 90 minutes resulted in a somewhat rushed production. Set changes came at a break neck pace after every song. Each time the theater went black, I had to stop sketching. Having only seen the movie version of Les Miserables, I had a hard time assimilating the characters French names. I would have kept better track with Dick, Jane and Harry. The premise of Lay Ms is genius and at times I did sympathize with the plight of gay and transgender characters who were not treated as equals.  Gay bashing is sadly still prevalent in America.  The songs resulted in several inspired performances but the off stage synthesizer didn’t offer much in the way of back up.

One scene involved actress and director Tara Rewis as Eponine a lesbian who is forced by her scheming parents to star in a heterosexual porn film. A bartender, who was a long time friend offered to help out. The scene featured the only nudity in the show and her performance singing the song, flat on her back and her head leaning over the edge of the bed was admirable. She tolerated the heterosexual sex while trying to imagine her female lover. When she straddled him, she took her bra and placed it over his breasts and then cupped his breasts in her hands with eyes closed. It was an inspired and hilarious scene.

When the revolution culminated in the Stonewall Riots the crowd sang the battle cry in unison with flags waving and protest posters highlighting the continued inequality. Marriage equality now exists in 37 states. 13 states remain in the dark ages. 40% of gay youths commit suicide. Changing attitudes takes time so the battle rages on. I found myself humming the tune for the rest of the day although I didn’t remember the lyrics. The show had some rough edges which is to be expected since this was a rehearsal. Some of the dialogue seemed forced as if to rush the plot along to get to the next song. The overall premise is fun and the music kept me thinking about the battle for equality long after the show was over.

Remaining Performances:
Saturday, May 16 – 12:30 PM — 2:00 PM
Monday, May 18 – 8:45 PM — 10:15 PM
Tuesday, May 19 – 7:00 PM — 8:30 PM
Friday, May 22 – 10:00 PM — 11:30 PM
Saturday, May 23 – 4:00 PM — 5:30 PM
Sunday, May 24 – 8:00 PM — 9:30 PM

Length: 90
Venue: Silver in the REP
Price: $9 (+service charge) and Fringe Button!
Rating: 18+ – Nudity|Language|Adult Content|Some Violence

Restrictions:
All Patrons Over Age 13 Must Have a Fringe Button
No Late Entry Show-All Shows Start on Time
No Re-entry Into Any Venue
No Refunds or Exchanges
100% Of All Ticket Sales Are Returned to Artists

Weekend Top 6 Picks for May 16th and 17th.

Saturday May 16, 2015

 9:30am to 11pm Free. Haiku Be Bop. Rollins College Bush Building Room 201. Stamford M. Forrester speaker.

1pm to 3pm Free. Family Days at the Maitland Museum. Maitland Art Center, 231 Packwood Avenue West, Maitland, FL. Gather your family for an afternoon of quality time together at the A&H’s Family Days at the Museum!  Families are encouraged to stay and enjoy the A&H museums after the program concludes. Family Days at the Museum is held on the 3rd Saturday of every month, and each program is held in a different location within the A&H Museums. Join us for this afternoon of family fun!

3pm to 11pm Free. Swamp Sistas La La @ Fringe Fest. Green Lawn 900 E Princeton St, Orlando, FL. Park Ave CD’s and Beth McKee present Swamp Sista La La on the Green Lawn @ Orlando International Fringe Theatre Festival: A free, day long music event to raise awareness and $ for fighting local hunger with healthy food. Artists performing at the La La include: Beth McKee, Laney Jones & the Spirits, Kaleigh Baker (star of Fringe show Janis Joplin, Little Girl Blue), A Caché, Multiple Me (Lauren Carder ), O-Sky, Rebekah Pulley & the Reluctant Prophets, E-Turn, and Beth’s Swamp Sista Songwriting Circle featuring Loi Jeannette,Shadow Pearson, Gail Jijon and Kattya Graham.



Sunday May 17, 2015

10am to 4pm Free. Lake Eola Farmers Market. Lake Eola Park, East Washington Street, Orlando, FL. Weekly.

1pm to 3pm Free. Yoga. Lake Eola Park, 195 N Rosalind Ave, Orlando, FL East lawn near the playground. Weekly.

8pm to 9pm Free. There Will Be Madness. The Orlando Fringe Festival outdoor stage Lock Haven Park. here Will Be Madness, the official flash fiction slam of There Will Be Words, makes its debut at the Outdoor Stage of the Orlando Fringe Festival.

Eight amazing flash fiction writers will face off head-to-head audience-judged slam in three rounds of literary combat until there is only one (think Highlander, but without the beheadings and the swords).

The format for this show is

1st round: 250 words max

2nd round: 375 words max

Championship Round: 500 words max

Scheduled to appear (so far)

Sam Slaughter

Jared Silvia

Danielle Isaiah

Curtis X Meyer

Meg Sefton

and you? perhaps. Spots are limited. If interested, send an email to twbwsubmissions@gmail.com or comment on this event page.

The winner will be crowned Outdoor There Will Be Madness Champion, and may face this year’s Indoor champion in a unification bout later this year.

For more details about There Will Be Words, check out therewillbewords.com

Poe follows the last days of the master of the macabre.

This year’s Orlando International Fringe Theatre Festival
has just begun. If you haven’t been before, you are missing thirteen days of non-stop theater at venues all around Lock Haven Park. Fringe plays are selected by lottery.Fringe is… 100% UNCENSORED, 100% UNJURIED, 100% ACCESSIBLE, 100% of $ from ticket sales go directly to the ARTISTS. Anyone can Fringe.

I went to a rehearsal for Poe presented by Theater Downtown in the Green Venue which is in the black box theater of the Rep. It seemed fitting that Poe, Written by Stephen Most and directed by Frank Hilgenberg, should be staged in a black box. The play follows the final tormented days of the author of “The Raven” and “The Tell Tale Heart”. Chris Prueitt breathed life into the tortured poet.  Before the rehearsal started cast members joked and wrestled playfully. It is a shame some of that playfulness never seemed to play a part of Poe’s life. His pompous airs didn’t impress towns folk and as he recites one of his poems he is beaten and robbed. His father considered him a lazy vagrant. Their contentious relationship comes to a head as Edgar imagines himself murdering his dad and hiding the corpse below the floor boards.

Biographical fact mixed with fiction is retold through the authors own tales. Darci Ricciardi did the shows choreography. Before the rehearsal, she welcomed me dressed in a whispy white dress that made her look just like Marilyn Monroe, all that was missing was a subway grate. The dress made sense when she and three other dancers moved in mystical fluid motion around the fallen poet. Bawdy prostitutes and violent thugs haunted the poets life. Family life offered little solace.

Poe fell madly in love with a young cousin played by Jolie Hart. Their happiness was quickly cut short when illness struck and Jolie lay motionless on a platform like Sleeping Beauty. The poet couldn’t accept her death, believing she would return to him. Had she been buried alive? She ultimately did return in dreams wearing a white expressionless mask. Darci and the dancers also wore white masks and black gowns and danced in a scene that managed to make my skin crawl. The show has it’s horrors, it’s tortured misgivings. If darkness you seek, it might be quite thrilling.

Tickets $11 plus required Orlando Fringe button (available at Fringe box office).

Green Venue – The Orlando REP (Black Box theatre to the left of The Rep main stage)
1001 East Princeton Street, Orlando, FL.

Thursday 5/14     9:00pm
Saturday 5/16     10:30pm
Monday 5/18      9:00pm
Wednesday 5/20 5:30pm
Thursday 5/21     7:30pm
Saturday 5/23      8:45pm
Sunday 5/24        11:30am

Ballerat’s sprawling botanical garden is a beauty mate.

The last town Terry and I drove to was Ballerat. In Australia it was springtime while back in Orlando it was Winter, not that there is much of a difference. We stopped at the Ballerat Botanical Gardens (Gillies Street North, N Ballarat VIC 3355, Australia) so Terry could enjoy the flowers and birds and I could sketch. I suppose I should have wanted to capture the gorgeous vibrant colored flower beds, but instead, I walked straight into a sculpture pavilion. The pavilion felt like it came from a Victorian era Worlds Fair.

The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson
whose bequest to the City enabled the purchase, in Italy, of the
statues. The Flight from Pompeii and the four accompanying statues are
housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The
Flight from Pompeii, in the center, was designed by Professor Carlo
Benzoni
and carved by Charles Francis Summers while the four
accompanying statues were all designed and carved by Charles Francis
Summers. The octagonal Pavilion was specially designed by T.E. Molloy in
1887 to house the statuary. 

I left out the guard rails since they blocked my view of certain details. Families and couples would come in briefly to view the statues. Parents would explain the sculptures significance to their children. I wondered why the couple only had time to throw towels over their loins as the ran down the streets of Pompeii trying to escape the lava and ash erupting from the volcano. He thought ahead enough to also bring a bed sheet which billowed above them to hopefully stop any red hot rocks from burning their backs. Had they just been in bed, or did they run from a bath house?

One aspect of this scene is that large quarter sized flies would enter the pavilion and they would buzz and pound themselves against the windows trying to escape back out to the vibrant garden. They would start their frantic escape by smacking high against the glass. With each successive blow, they would grow tired and ultimately rest against the windows bottom ledge.  In my head a devised an obvious fly trap that would easily catch every fly allowing them to be removed and released into someone else s garden. How many times would flies stop to rest on the smooth granite semi nude skin of these statues and they couldn’t slap the flies away. As it was, I had to smack a few persistent flies with my sketchbook when the distracted me too much from the sketch. This pavilion was Pompeii for every fly that entered. The were doomed to see the glorious freedom just beyond the glass and die from exhaustion  or the slap of my sketchbook as they struggled to reach it.

We stopped to rest while hiking McKenzie Falls.

Pam Anderson and her husband took us to hike in Grampians National Park which was a short drive from their home on several one lane dirt roads. We stopped at an abandoned gold mine but unfortunately we didn’t see any gold flakes in the soil. The drive up to Mckenzie Falls involved a twisting, winding road with hundreds of switch backs. We took the hill at an aggressive speed with constant acceleration and hard breaking in the curves. I started feeling motion sick in the back seat so I fixed my gaze out the front window trying to anticipate each new curve.

Mckenzee Falls had just reopened after being ravaged by an out of control wildfire. All the barren tree trunks were charcoal black. One plant thrives after a fire. Fires release nutrients to the soil and create rich seedbeds for newly dropped seed. The first rains after fires bring the landscape to life; a cycle of regrowth, competition and maturation starts all over again.The Australian Grass Tree thrives after a wildfire.  It sends up a four foot inch thick rod that thrusts up from the grassy base. This phallic seed bearing appendage earned it’s un-politically correct nickname, “Black Boy” from it’s charred appearance. Life always finds away.

Reed’s Outlook gave us a stunning view of the entire valley. There is a rock that juts out over the cliffs edge and it used to be possible  to stand at it’s tip, “Lion King” style for photo opportunities. Unfortunately it is now fenced off. One too many people must have fallen off after being asked to “step back” for a photo. Terry kept her back plastered to the rock wall standing clear of the railing.


The parking lot at the Mckenzie Falls trail was full of cars. A Japanese double-decker tourist bus pulled into the lot and it seemed like hundreds of people piled out. I’ve never seen a bus like this before. It was set up as a sleeper and each person must get a coffin-like compartment that comes with a curtained window. I really wanted to look inside. The parks department office was burnt to the ground and surrounded by a fence for our protection. Only a single brick chimney marked the site. Pam and her husband are avid hikers and they planned to hike all the way to the base of the waterfall and back up. Once we got near the river, the flies started buzzing in our ears. Pam explained that “The Australian Salute” is the gesture of swiping flies from your face. Thankfully, Terry and I had head nets that kept the flies from getting on our faces. The second watercolor hit my sketch, dozens of flies would land on the page to drink it up. Either they liked the color or the moisture. I stuffed pencil end erasers in my ears to dull the annoying buzzing around my head. Terry and I stopped because she felt the hike down was too steep. This sketch was done at the top of the falls. I was glad for the chance to sketch. If this sketch seems rushed, that is because it was rushed. I decided to consider the sketch done when Pam and her husband hiked their way back to us.


When we drove down out of the park, we stopped at a Cricket field as the sun set. Dozens of Kangaroos were foraging in the field. Terry kept walking up to the kangaroos I suppose with the intent to pet one. I’ve seen videos of kangaroos boxing and using their tail and hind legs as very effective weapons. I kept my distance and watched. The kangaroos knew to hop away and keep a safe distance.

Friends gather at Barney’s Bar Bistro in Australia.

Another of Terry’s high school friends, Pam Anderson, invited us to her home and it involved a long drive through Victoria to the town of Ararat. The home was surrounded by a gorgeous garden situated on many acres. From the back yard we could see young colts following their thoroughbred moms. The couple were both teachers and their sons had just left home to forge their own lives. One son was a civil engineer and he was making good money out west for a mining company. The mine is in the middle of nowhere so the pay tried to compensate for the isolation. Their other son had moved to New York City. Apparently this trip to America is quite common for Australian youths.

Once a week a group of friends gathers at Barney’s Bar Bistro (Ararat – Halls Gap Rd,, Pomonal, Halls Gap, Victoria) for a bite, some drinks and plenty of conversation. The building is a converted woolshed barn and is has an open layout with exposed wooden beams. We sat out back waiting for a table to open up. In the field behind the bar, kangaroos by the dozens gathered to forage as the sun set. Terry and I were ecstatic at the sight but this was a common sight for everyone else.

Having been behind the wheel of the car all day, I was itching to do a sketch and I started to sketch the second we were seated. Terry apologized for my behavior but no one seemed to mind. By the time our food arrived the sketch was done. Most of the people in the group were teachers, so I got to learn a bit about the inner politics inside the High School. The boys had their mom for one class and their dad for another, so it was almost like being home schooled. A college education is paid for by the government, so youths are highly educated and they don’t start their adult lives deep in debt. American politicians could learn a thing or two from Australia’s example.

A Lorne Australia residential sculpture garden has plenty of surprises.

Josie Browne, a high school classmate of Terry’s told me that I had to check out the front yard of a neighbor of hers named Deborah. She gave me directions and I set off with my art supplies in hand. Her neighbor is a well known sculptor in Melbourne. When I got to her property, I was met by “Big Dik” and “Tits“, a bull and cow whose sexuality was bright red. A ram named “Baby Tart” negotiated the space between them as they faced off. A bright pink sheep was covered in plastic forks and spoons which created a rich texture to her coat. A nude blue couple stood in the background near the entrance to the home-studio. Even the trees were alive with faces and covered in giant lady bugs.Unfortunately Josie couldn’t recall Deborah’s last name. My online research lead me to a Deborah Halpern, but her work has much more of a Picassoesque feel to it. My online search for “Big Dik” and “Tits” didn’t result in any bovine sculptures.

Josie told me of the time she visited the sculptor for tea. She was a bit terrified at first to see the inside of the sculptor’s studio. They became immediate friends and keep in touch. Awkwardly, I planted myself in the corner of Deborah’s front yard to sketch. If she was home, I would just have to hope that she wouldn’t mind me sketching her quirky work. Lorne Australia has a Sculpture Biennal where sculptors place their work along the long stretch of beach.  There were exciting and unexpected arts scenes like this throughout Australia.