Phantasmagoria presents: A Christmas Carol & The Canterville Ghost

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If you are looking to kick off the Holiday season with a taste for the macabre, then join Phantasmagoria as they present  “Ghost Stories” this Christmas season. They will bring to life and the bitter sweet taste of death to not one but TWO whimsical classics. The well-loved A Christmas Carol, A Ghost Story of Christmas by Charles Dickens, followed by Oscar Wilde’s rollicking The Canterville Ghost.

I sat in on a dress rehearsal for the show at the Dr. Phillips Center for the Performing Arts. The set felt like an abandoned attic with carousel horses flanking the stage. Projections on a large screen behind the set changed the settings with ease. I fell in love with the faint flickering candle light that illuminated the various corners of the stage.  That meant I needed to keep the scene dark so the candles could shine.

A Christmas Carol is a well loved and very familiar classic. Phantasmagoria added its dark and vaudevillian steampunk styled flair to the story. John DiDonna as Scrooge lived in the old man’s skin. I have seen him perform this roll many times over the years. Daniel Cooksley as Marley, draped in chains did an amazing job filling the stage with his his twisted and agonized self. Of the three ghosts, the ghost of Christmas future was magnificently designed. Much larger that life, the dark draped figure gestured with gnarly black branches for hands.

The Canterville Ghost offered a much lighter tale full of light hearted dance. It was the yin to Dickens dark and foreboding Yang. There are two more performances December 3–4, 2022 at the Alexis & Jim Pugh Theater, in the Dr. Phillips Center for the Performing Arts, 8 p.m. and 2 p.m. Tickets are about $35.

After Pulse: Candice Crawford

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Advisory: Please note that this post is about the Pulse nightclub massacre on June 12, 2016. It contains sensitive and difficult to read content.

Candice Crawford is the CEO of the Mental Health Association of Central Florida. She is a member of the board of the Plaza Live as well. The night before there was a shooting of singer Christina Grimmie at the Plaza Live. The board came to this board room to try and deal with the repercussions of that tragedy. They were pretty shaken up about it. That board meeting happened all afternoon on the Saturday before the Pulse massacre. An 8am conference call was scheduled for 8AM Sunday morning 12 June 2016.

She got up just before 8AM and got a cup of coffee. When the conference call began the conversation was about the mass shooting. At first she thought the mass shooting might have happened at the Plaza, but no, they were talking about the Pulse Nightclub. What in the world is happening?  It was quite the weekend. She called several members of her staff after the conference call ended. They needed to have someone at the Mental Health Association to answer the phones. Phone call could be forwarded to one of the staff members in case anyone called looking for help. There were lots of calls.

The next day they needed several counselors in the offices. On the first day one person came in and the next day 4 or 5 came in. She decided that a Pulse directed counseling program would be needed. She realized there would be a lot of young people at that club who did not have insurance and they would need counseling. Fundraising began to get the program up and running.

Orlando United Assistance Center (OUAC) gave referrals and others sough help on their own. Everyone who has sought help has gotten help. At the time of the interview 118 people had participated in the counseling program. Confidentiality was of the utmost importance.

Crealde 5 minute pandemic sketches

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At Crealde School of Art for one of my Urban Sketching Classes I pose for the students and then students pose in turn for 5 minutes each. My quick sketches serve as demo to show how to get the figure on the page and start to think about the environment around the student pose. In this sketch one figure is isolated and the second sketch I added a student sketching in the foreground and a background with a hint of a table and windows. This is a rare case where I didn’t throw some watercolors washes on the sketch. I also never touched a pen and only worked in pencil which is how many beginning students work since they fear they may have to erase mistakes. In the short duration of 5 minutes there is never time to erase.

Edwina Andrews

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Dr. Edwana Andrews is the director of Social Justice and Advocacy at the University of Central Florida. Early in life she realized that not everyone appreciates or accepts or values individuals who identify in the LGBTQ Community. The church that a friend grew up in was not inclined to host a funeral when he died. She had been taught that you should love your neighbor. Why would the church not allow the funeral?

This became the catalyst for her to do her doctorate and dissertation on the gay, lesbian and bisexual experience in the black church. She interviewed individuals who had a religious experience in a black church. She defined a religious experience as the person attending church at least twice a month. None of the individuals she interviewed continue to attend the black church. None of them identify as religious, but they do identify as spiritual. They experienced a lot of hurt and homo negativity in the black church.

While in their parents roof, they had to attend church. When they went to college, they took that opportunity to take a step back from the church and re-evaluate to find perspective as they tried to rationalize their own sexual identity.

She interviewed individuals from Florida, Texas, Atlanta Philadelphia, and California there were no geographic restrictions.

The oral history was cut short by a fire alarm. The line work was finished in the 30 minutes we had, and I added a few washes afterwards from memory.

After Pulse: Joe Saunders

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Advisory: Please note that this post is about the Pulse nightclub massacre on June 12, 2016. It contains sensitive and difficult to read content.

Joe Saunders is a former State Representative and a senior political director at Equality Florida and formerly staff at the Human Rights Campaign. He is an Orlando LGBT activist. Pulse opened while Joe was a student at UCF. The club anchored it’s outreach around college students. His roommate became a bartender at Pulse. His first apartment was just a few blocks from Pulse.

Joe was in North Carolina doing political response work. He had worked crazy hours like 15 hours a day. At 2AM his phone lit up with a text chat thread from a group of friends in Orlando. He was till working at 2AM. People were saying something is happening at Pulse. One friend was in an apartment within view of the club.  He kept hearing bangs which could be multiple gun shots.

The text thread search began, who was out and where they safe. After waking the next morning by 10AM he had to return home to Orlando. After a quick plane flight be got to the gay and lesbian center for a press conference held there. The Center is not a huge space. A huge bouncer was a the door directing people. The windows had fogged up. You had to carve your way through all the reporters and cameras that were packed into the room. The space was full to capacity. Equality Florida announced at the press conference that they wanted to do a vigil at Lake Eola.

Plans began for the vigil began right away. The city of Orlando was concerned about security. Could a copycat shooter show up at the vigil? The city ultimately decided the Dr. Phillips Center for the Performing Arts would be a safer option and easier for police to defend. Police snipers were on the roof of the Methodist Church and City hall just in case anything went down. Joe was the MC for the vigil. The vigil became one of the most important visual moments of the Orlando community response to Pulse and it came together in 6 hours.

After Pulse: Equality Florida

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Hannah Willard was the Public Policy Director, for Equality Florida. At the one year mark after the Pulse massacre, she released the following statement…

“Yesterday it was our time to march – and now it’s time to turn this March into a Movement. We must ensure the lasting memorial of the Pulse massacre is the real change of uprooting anti-LGBTQ hatred, discrimination, and violence in our culture.
As news broke of the Pulse massacre that claimed the lives of 49 people, mostly LGBTQ and Latinx young people, our shock and disbelief turned to grief and anger. In the hours, days, and weeks that followed people from around the world reached out to ask how they could help. Our answer was clear and has remained consistent: Honor Them With Action.
It’s not enough to mourn those taken from us. It’s not enough to celebrate our collective resilience. We cannot allow the Pulse massacre to be yet another national tragedy. This must be a national turning point that spurs us to new action.
At a moment when some sought to meet fear with fear and hate with hate, we saw a community come together, united in a commitment to challenge bigotry and hatred, not nourish it. A deep resilience emerged from survivors, victims’ loved ones, Orlando residents, elected leaders, LGBTQ people and our allies around the world. People held vigils and fundraisers to directly aid the families of those killed and the survivors and committed to combating hatred of all kinds.
As we think about all the ways in which our world is different one year later, I challenge you to join me in uprooting and challenging hatred of all kinds, and to take action each and every day to make the world different, better, and safer for all of us. We need you to step up and speak out against all forms of violence, be they mass shootings, genocide abroad, everyday gun violence, vandalism at houses of worship, and yes, even hateful words spoken from a pulpit, a pew, or over the dinner table.
The love and support from around the world has buoyed the Orlando LGBTQ community over the last year. Thank you for standing with us to do the work of fully addressing and combating hatred wherever it exists.”

After Pulse: Chevalier Lovett

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Chevalier Lovett didn’t go to Pulse often but the club meant the world to him. He would celebrate two events each year at the club, one was his birthday and the other was a celebration of identity. On June 11, the day before the shooting, friends were insisting he go out since he hadn’t yet celebrated his birthday, he decided they should go to Pulse. Everyone was on board. He changed his mind, later that night, and texted everyone that he was going to stay home. He suggested that they should go to City Walk instead.

Chevalier turns off his phone when he goes to bed. He woke up at 8AM to 101 text messages and about 72 voice mails. One message said, “I hope you are safe, turn on your TV.” He doesn’t own a TV, so he checked the news on his phone. People he hadn’t heard from for a while were texting and since his phone was off there was more anxiety to the messages.

He started searching his group texts to see which of his friends might have gone to Pulse. They were all a City Walk when the shooting happened at Pulse. On Sunday, there were so many phone calls and comforting. The names of the 49 victims came out Sunday and he knew five friends who were on the list. He went to the vigil, where multiple news outlets interviewed him. Of the seven or so interviews NPR stood out as the most genuine and heart felt.

in 2004 Hurricane Charlie hit. In a time of disaster that is when you see a community come together. The way the community came together after Pulse eclipsed that. Pulse changed his life. It is everyone’s history.

COVID Lung Damage

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Lungs are the main organs affected by a COVID-19 infection. A study published in Radiology showed that there is Persistent Lung Damage after recovering from COVID-19. The study of COVID’s long term effects are being studied as more people suffer from Long COVID. Researchers in Germany evaluated changes in lung structure and function in 54 pediatric COVID-19 survivors and nine healthy controls aged 5 to 17 years using low-field MRI. Twenty-nine patients (54%) had recovered from their infections, 25 (46%) had long COVID, and all but one were unvaccinated at the time of infection. Four COVID-19 patients had asymptomatic acute infections. The study findings show that lung abnormalities persist among children who have experienced COVID-19 illness.

Long COVID can cause lingering health problems and wreak havoc for months. Long COVId can include symptoms like, shortness of breath, fatigue and brain fog. The symptoms can come and go, but have an impact on the person’s everyday functioning, and cannot be explained by another health problem. Long COVID can happen in people who have mild symptoms. COVID can cause damage to the lungs, heart, nervous system, kidneys, liver and other organs.

A bad case of COVID-19 can produce scarring and other permanent problems in the lungs but even mild infections can cause persistent shortness of breath — getting winded easily after even light exertion.

Many people recovering from COVID-19 suffer from long-term symptoms of lung damage, including breathlessness, coughing, fatigue and limited ability to exercise. COVID-19 can lead to inflammation in the lungs due to the infection and the immune system’s reaction to it. The inflammation may improve over time, but in some people it persists. Lung recovery after COVID-19 is possible, but takes time. Experts say it can take months for a person’s lung function to return to pre-COVID-19 levels. Breathing exercises and respiratory therapy can help.

Clean Cabin?

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If you traveled early in the pandemic you may have noticed the cabins in airlines were getting meticulously deep cleaned. Now three years into the pandemic, airlines are getting lazy and do not bother as much when they realize that surface contact is not the primary way the virus was spread, it is airborn. “As more was learned about COVID and transmission routes of COVID, it was recognized that deep cleaning was overkill,” said Leonard Marcus, founding co-director of the National Preparedness Leadership Initiative (NPLI) and co-director of NPLI’s Aviation Public Health Initiative. Marcus and other “experts” noted that airlines are still prioritizing air filtration and that flying can be “generally” safe, but recommended that passengers continue to take precautions such as wearing a high-quality mask while flying.

Another magnificent advantage to not cleaning up or disinfecting the cabin after passengers disembark is that it saves money. We all know that public health is less important than saving money. It is the passengers responsibility to try and avoid infection when they fly in these cesspools in the sky.

When it comes to COVID, one infected person, on average, will infect over three more people. They have an opportunity to infect even more in the tight enclosed space of a plane cabin.

Cleaning, disinfecting and sanitizing are all needed to combat COVID-19.

  • Cleaning uses soap or detergent to wash away dirt, grime, and grease to give a good appearance but does not necessarily kill germs. It merely physically removes them from a surface.
  • Disinfecting uses specialized chemicals to kill germs on surfaces. Although it does not necessarily give a “clean” look, it is highly effective in neutralizing active germs to stop the spread of infection.
  • Sanitizing is simply lowering the number of germs on a surface to a safe level, as prescribed by public health authorities.

If you need to travel, be sure to wear your personal protective equipment (PPE) including a quality KN-95 mask worn properly. and carry hand sanitizer with at least 60% alcohol for maximum effectiveness; use it liberally and frequently.

Egg

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I had an Elite Animation Academy student who wanted to learn how to draw realistic portraits. I picked a reference from the internet and we both sketched the face. I pointed out my basic premise of breaking the face into halves to get the general proportions right. My student got the general outlines in place and then didn’t know what to do next. This is true of many beginning art students, they get a few lines in place and freeze up. I suggested adding value.

For some reason this idea of value as opposed to line is often a bridge too far for students. I scribbled in some darks with the side of my digital pencil, but then advised my student to just paint an egg. We painted the egg one color and then added a highlight and shadows. I then copied the egg and simply slid in under the drawing I had already created. All that was needed then were a few brush strokes to define darks on lips and the nose.

I don’t know if the lesson hit the mark, but it was fun to find new ways to simplify the creative process.